Techne

Creative Practice

  • Thomas Boulousis

    Thomas Boulousis

    Media and performance arts
    Kingston University London

    Generative AI and Composing Musical Narrative

  • Josh Bulman (2)

    Josh Bulman

    Histories and philosophies
    Kingston University London

    Parataxis and being within Cities - an investigation into minority experience and production of space within Thamesmead Estate

  • Marta Garcia

    Marta García

    Languages and literatures
    University of Roehampton London

    Painting Critical-Creative Writing: J. M. Barrie, F. Scott Fitzgerald, and Zelda

  • Simon Terrill

    Simon Terrill

    Histories and philosophies
    Kingston University London

    Crowd as Image, Crowd as Process: A contemporary reimagining of the crowd.

  • Kay Min Soh

    Kay Min Soh

    Art and design
    University of Westminster

    Weather as Witness: Political Ecologies of Southeast Asia through a Curatorial Lens

  • Gabriel Hoosain Khan

    Gabriel Hoosain Khan

    Art and design
    University of Brighton

    Art, resistance, and healing: on the potentials of using the Creative Change Laboratory (CCoLAB) among queer youth in Brighton

  • Lindsay Virgilio [Square]

    Lindsay Virgilio

    Languages and literatures
    Kingston University London

    Party Girl Gets Sick: Using Autofiction to Navigate Modern Issues of Identity and Illness

  • Helen Williams [Square]

    Helen Williams

    Languages and literatures
    Brunel University London

    Unfinished Business: A study into the narrative techniques used to represent relationships between university-educated mothers and daughters in contemporary fiction

  • Miles Pissarro

    Miles Pissarro

    Languages and literatures
    Kingston University London

    ​ ​ "On Disability": A ficto-critical analysis of the "Disability Experience"

  • Sarah Blake

    Sarah Blake

    Culture and communications
    Kingston University London

    The Real Monster in ‘Sleeping Beauty’: An Examination of Aurora through the ‘Faces’ of the Monstrous-Feminine

  • Julia Schauerman.jpg

    Julia Schauerman

    Media and performance arts
    University of the Arts London

    Co-composing Acousmatic Stories: Hybrid strategies for exploring change, crisis and community through collaborative creative practice

  • Eve Barro

    Eve Barro

    Art and design
    Loughborough University London

    Beneath the Surface: Thinking with the Natural History Museum's Coral Collection to Explore Ecological Care in the Chagos Archipelago

  • Charlotte Roberts

    Charlotte Roberts

    Art and design
    University of the Arts London

    The notational: mental health and female identity in the diary films of Anne Charlotte Robertson

  • Su Smith

    Su Smith

    Languages and literatures
    Kingston University London

    Complexity Theory’s Potential For Creative Writing: Open Systems, Nonlinearity, Chaos And Emergence In The Twenty-First Century Trauma Novel

  • Viveca Mellegård.jpg

    Viveca Mellegård

    Culture and communications
    Royal Holloway University of London

    Dyeing to become whole: Indigo dyeing as embodied practice for a more sustainable future

  • Louis Emmitt Stern

    Louis Emmitt-Stern

    Media and performance arts
    University of Surrey

    Dramatic Writing Practice and Pedagogy: Training the Contemporary Scriptwriter

  • Jingyi Ma

    Jingyi Ma

    Culture and communications
    Kingston University London

    Rhythms of Making: Preserving Cultural Knowledge in Shanxi's Craft Communities - Tradition, Technology and Community Practice in Cultural Heritage

  • Peter Sharples

    Peter Sharples

    Media and performance arts
    Brunel University London

    Performing Pain: How Stand-Up Comedy Functions as an Autobiographical Performative Act of Self-Authorship and Resistance in Narrating Disability and Pain

  • Abbas Zahedi

    Abbas Zahedi

    Art and design
    Kingston University London

    Acoustic Agency: Reimagining Mental Health Spaces through Sound and Art

  • Thomas Hull

    Tom Hull

    Languages and literatures
    University of Brighton

    Nineteenth-century Ambivalence and the Gendered Body: A Practice-based Study of Dr James Barry

  • Karina Patfield

    Karina Patfield

    Languages and literatures
    University of Brighton

    Silence from the archive: How can archives inform an original method of blackout poetry seeking to ethically remember the Holocaust?

  • San Pham

    San Pham

    Languages and literatures
    University of Surrey

    Curating a Diasporic Archive in the Elsewhere: A Critical and Creative Exploration of Recovering, Dismantling, and Re-Imagining the Diasporic Space

  • Joe Rizzo Naudi (2)

    Joseph Rizzo Naudi

    Languages and literatures
    Royal Holloway University of London

    Image Without Resemblance: combining co-creative artwork description practices, divergent mimesis and post-modern narrative technique towards an anti-ocularcentric writing methodology.

  • Mike Blackburn

    Mike Blackburn

    Languages and literatures
    Kingston University London

    Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”