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Helen Williams
Unfinished Business: A study into the narrative techniques used to represent relationships between university-educated mothers and daughters in contemporary fiction
Unfinished Business: A study into the narrative techniques used to represent relationships between university-educated mothers and daughters in contemporary fiction
A study into the narrative techniques used to convey non-physical childhood sexual abuse and trauma in contemporary Western fiction
World Building in Time and Space: Open World Video Game Mechanics in Contemporary Art Practice
Between Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice
Inferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices
Image Without Resemblance: combining co-creative artwork description practices, divergent mimesis and post-modern narrative technique towards an anti-ocularcentric writing methodology.
The Biocultural Diaspora of Tea in the 21st Century
Unfinishing: The Draft Poetics of Lyn Hejinian, Susan Howe, and Rachel Blau DuPlessis
Pride, Passengers and Personnel: Collecting LGBTQ+ Experiences in and on London’s Transport in the 1970s and 1980s.
It's Not the End of the World: Nonlinear Time and Neurodivergent Making
Literary Heritage and the Public Archives: The Diverse Women of Britain’s Special Operations Executive, F Section
The Listening: fictionalising fugitive voices and fragmented lives in the slavery archive
Representations of Muslim Masculinities in Contemporary British and American Diaspora Novels
Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland
Belonging in the City: Poetics of Place as Acts of Resistance Against Hyper-Commodification
Between The Practice and The Pedagogy of Dramatic Writing: Towards A Cohesive Approach to Training The Contemporary Scriptwriter
(Un)containable Bodies: Experiments in Life-Writing and Form, post-1968
Tools for Persuasion: methods of storytelling in UK and US courtrooms
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989