Sara O'Brien
Art and design
Royal Holloway University of London
Between Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice
Techne
Contemporary Art
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Jessica Higgins
Art and designKingston University LondonInferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices
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Lucie McLaughlin
Art and designKingston University LondonSites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland
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Jessa Mockridge
Art and designKingston University Londonrub rub rub rub rub rub brush brush quiver oh hello, you: Queer Captioning as Material
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Abbas Zahedi
Art and designKingston University LondonAcoustic Agency: Reimagining Mental Health Spaces through Sound and Art
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Maud Craigie
Culture and communicationsKingston University LondonTools for Persuasion: methods of storytelling in UK and US courtrooms
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Marta Marsicka
Culture and communicationsUniversity of the Arts LondonRepresentation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
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Manuel Cini
Media and performance artsUniversity of SurreyFrom Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps
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Gabriel Hoosain Khan
Art and designUniversity of BrightonArt, resistance, and healing: on the potentials of using the Creative Change Laboratory (CCoLAB) among queer youth in Brighton
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Amelia Crouch
Media and performance artsUniversity of the Arts LondonEpisodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth
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Simon Terrill
Histories and philosophiesKingston University LondonCrowd as Image, Crowd as Process: A contemporary reimagining of the crowd.
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Kitty Clark
Culture and communicationsKingston University LondonWorld Building in Time and Space: Open World Video Game Mechanics in Contemporary Art Practice
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Sarah Phelan
Art and designUniversity of the Arts LondonMissing Mavigraphs: Investigating the Lost Potentials of Thermographic & Electromagnetic Video Printing Systems
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Serafina Lee
Languages and literaturesRoyal Holloway University of LondonUnfinishing: The Draft Poetics of Lyn Hejinian, Susan Howe, and Rachel Blau DuPlessis
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![Helen Williams [Square]](/media/30052/helen-williams-square.jpg)
Helen Williams
Languages and literaturesBrunel University LondonUnfinished Business: A study into the narrative techniques used to represent relationships between university-educated mothers and daughters in contemporary fiction
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Jesse Cumming
Media and performance artsUniversity of Roehampton LondonThe Dynamics of Development: An Analysis of the Operation and Influence of Filmmaking Laboratories and Workshops.
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Zoe Few
Culture and communicationsUniversity of WestminsterPride, Passengers and Personnel: Collecting LGBTQ+ Experiences in and on London’s Transport in the 1970s and 1980s.
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Anna Clifford
Media and performance artsRoyal Holloway University of LondonListening in From the Museum
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Edwin Mingard
Culture and communicationsUniversity of the Arts LondonMaking, Unmaking and Remaking History: Exhibition Programming at Chisenhale Gallery in the late 1980s
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Amy Hare
Culture and communicationsKingston University LondonPeriod Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas
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Ömercan Tüm
Languages and literaturesUniversity of BrightonRepresentations of Muslim Masculinities in Contemporary British and American Diaspora Novels
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Samuel Hertz
Culture and communicationsRoyal Holloway University of LondonScales of Change: Addressing Global Environmental Change through Transdisciplinary Sonic Practices
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Hannah Kemp-Welch
Art and designUniversity of the Arts LondonListening in Socially-Engaged Art: Artistic Strategies for Equitable Collaboration
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Aurora Prehn
Culture and communicationsRoyal Holloway University of LondonThe Biocultural Diaspora of Tea in the 21st Century
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Ellie McDougall
Languages and literaturesUniversity of Westminster‘Calling to theory, calling to bed’: Transpoetics After the Sign
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Louis Emmitt-Stern
Media and performance artsUniversity of SurreyDramatic Writing Practice and Pedagogy: Training the Contemporary Scriptwriter
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Max Shirley
Languages and literaturesUniversity of Westminster(Un)containable Bodies: Experiments in Life-Writing and Form, post-1968
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Lindsay Sekulowicz
Histories and philosophiesUniversity of BrightonCollection to Source: Cosmology and Ethnobotanical belongings of the Northwest Amazon
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Joseph Rizzo Naudi
Languages and literaturesRoyal Holloway University of LondonImage Without Resemblance: combining co-creative artwork description practices, divergent mimesis and post-modern narrative technique towards an anti-ocularcentric writing methodology.
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Holly Graham
Culture and communicationsUniversity of WestminsterTending to Black Life, Death, and Resistance in the Community Archive: Artist as Archivist / Activist / Care-Worker
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Pratibha Joshi
Languages and literaturesUniversity of SurreyMapping India’s Audio Description Practice within an emerging Art Museum Community: The Role of Professional Training on ‘Non-Expert’ Audio Description
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Marta García
Languages and literaturesUniversity of Roehampton LondonPainting Critical-Creative Writing: J. M. Barrie, F. Scott Fitzgerald, and Zelda
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Mike Blackburn
Languages and literaturesKingston University LondonExploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”
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Livia Dubon-Bohlig
Media and performance artsKingston University LondonL’ Orecchio Teso L’ Occhio Sordo, A Regenerative Curatorial Practice Within The IsIAO Colonial Photographic Archive