
Sara O'Brien
Between Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice
Between Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice
Inferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices
Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland
Tools for Persuasion: methods of storytelling in UK and US courtrooms
Episodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
Art, resistance, and healing: on the potentials of using the Creative Change Laboratory (CCoLAB) among queer youth in Brighton
Aquinas and determinatio: an exemplary theory of precedent
From Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps
World Building in Time and Space: Open World Video Game Mechanics in Contemporary Art Practice
A study into the narrative techniques used to convey non-physical childhood sexual abuse and trauma in contemporary Western fiction
Unfinished Business: A study into the narrative techniques used to represent relationships between university-educated mothers and daughters in contemporary fiction
Listening in From the Museum
Materiality in Comics - Reframing Sequential Function in Graphic Novels by Confronting the Page as Surface
The Biocultural Diaspora of Tea in the 21st Century
Unfinishing: The Draft Poetics of Lyn Hejinian, Susan Howe, and Rachel Blau DuPlessis
Collection to Source: Cosmology and Ethnobotanical belongings of the Northwest Amazon
Making, Unmaking and Remaking History: Exhibition Programming at Chisenhale Gallery in the late 1980s
Pride, Passengers and Personnel: Collecting LGBTQ+ Experiences in and on London’s Transport in the 1970s and 1980s.
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas
Scales of Change: Addressing Global Environmental Change through Transdisciplinary Sonic Practices
Listening in Socially-Engaged Art: Artistic Strategies for Equitable Collaboration
Image Without Resemblance: combining co-creative artwork description practices, divergent mimesis and post-modern narrative technique towards an anti-ocularcentric writing methodology.
Representations of Muslim Masculinities in Contemporary British and American Diaspora Novels
Belonging in the City: Poetics of Place as Acts of Resistance Against Hyper-Commodification
Between The Practice and The Pedagogy of Dramatic Writing: Towards A Cohesive Approach to Training The Contemporary Scriptwriter
(Un)containable Bodies: Experiments in Life-Writing and Form, post-1968
‘Messianic Adaptation: Pier Paolo Pasolini’s Script for ‘San Paolo’’
Mapping India’s Audio Description Practice within an emerging Art Museum Community: The Role of Professional Training on ‘Non-Expert’ Audio Description
Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”
L’ Orecchio Teso L’ Occhio Sordo, A Regenerative Curatorial Practice Within The IsIAO Colonial Photographic Archive