Techne

Art Writing

  • Sara Obrien

    Sara O'Brien

    Art and design
    Royal Holloway University of London

    Between Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice

  • Lucie Mclaughlin

    Lucie McLaughlin

    Art and design
    Kingston University London

    Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland

  • Jessa Mockridge

    Jessa Mockridge

    Art and design
    Kingston University London

    rub rub rub rub rub rub brush brush quiver oh hello, you: Queer Captioning as Material

  • Marta Garcia

    Marta García

    Languages and literatures
    University of Roehampton London

    Painting Critical-Creative Writing: J. M. Barrie, F. Scott Fitzgerald, and Zelda

  • Manuel Cini

    Manuel Cini

    Media and performance arts
    University of Surrey

    From Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps

  • Gabriel Hoosain Khan

    Gabriel Hoosain Khan

    Art and design
    University of Brighton

    Art, resistance, and healing: on the potentials of using the Creative Change Laboratory (CCoLAB) among queer youth in Brighton

  • Joe Rizzo Naudi (2)

    Joseph Rizzo Naudi

    Languages and literatures
    Royal Holloway University of London

    Image Without Resemblance: combining co-creative artwork description practices, divergent mimesis and post-modern narrative technique towards an anti-ocularcentric writing methodology.

  • Max Shirley.jpg

    Max Shirley

    Languages and literatures
    University of Westminster

    (Un)containable Bodies: Experiments in Life-Writing and Form, post-1968

  • Amelia Crouch.jpg

    Amelia Crouch

    Media and performance arts
    University of the Arts London

    Episodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth

  • Simon Terrill

    Simon Terrill

    Histories and philosophies
    Kingston University London

    Crowd as Image, Crowd as Process: A contemporary reimagining of the crowd.

  • Sarah Blake

    Sarah Blake

    Culture and communications
    Kingston University London

    The Real Monster in ‘Sleeping Beauty’: An Examination of Aurora through the ‘Faces’ of the Monstrous-Feminine

  • Miles Pissarro

    Miles Pissarro

    Languages and literatures
    Kingston University London

    ​ ​ "On Disability": Using my composite novel to depict a phenomenological account of the "Disability Experience" through auto-ethnographic reflections​

  • Amy Austin

    Amy Austin

    Histories and philosophies
    Kingston University London

    Fragmented Bodies, Fragmented Stories: Exploring Endometriosis Through Multidisciplinary Creative Practice to Challenge Cultural Narratives of Women's Pain

  • Sarah Phelan

    Sarah Phelan

    Art and design
    University of the Arts London

    Missing Mavigraphs: Investigating the Lost Potentials of Thermographic & Electromagnetic Video Printing Systems

  • Kitty Clark

    Kitty Clark

    Culture and communications
    Kingston University London

    World Building in Time and Space: Open World Video Game Mechanics in Contemporary Art Practice

  • Lindsay Virgilio [Square]

    Lindsay Virgilio

    Languages and literatures
    Kingston University London

    Party Girl Gets Sick: Using Autofiction to Navigate Modern Issues of Identity and Illness

  • Amanda Holiday

    Amanda Holiday

    Languages and literatures
    University of Brighton

    Poetry, Race and Art

  • Jessica Higgins

    Jessica Higgins

    Art and design
    Kingston University London

    Inferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices

  • Abbas Zahedi

    Abbas Zahedi

    Art and design
    Kingston University London

    Acoustic Agency: Reimagining Mental Health Spaces through Sound and Art

  • Maud Craigie

    Culture and communications
    Kingston University London

    Tools for Persuasion: methods of storytelling in UK and US courtrooms

  • Marta Marsicka

    Marta Marsicka

    Culture and communications
    University of the Arts London

    Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989

  • Charlotte Roberts

    Charlotte Roberts

    Art and design
    University of the Arts London

    The notational: mental health and female identity in the diary films of Anne Charlotte Robertson

  • Jesse Cumming

    Jesse Cumming

    Media and performance arts
    University of Roehampton London

    The Dynamics of Development: An Analysis of the Operation and Influence of Filmmaking Laboratories and Workshops.

  • Su Smith

    Su Smith

    Languages and literatures
    Kingston University London

    Complexity Theory’s Potential For Creative Writing: Open Systems, Nonlinearity, Chaos And Emergence In The Twenty-First Century Trauma Novel

  • Xi (Bonnie) Liu

    Xi (Bonnie) Liu

    Languages and literatures
    Royal Holloway University of London

    A Cross-Century Communication between Elizabeth Gaskell and Virginia Woolf via “the Chinese Katherine Mansfield”: Narrative Legacy across Time and Space

  • Helen Williams [Square]

    Helen Williams

    Languages and literatures
    Brunel University London

    Unfinished Business: A study into the narrative techniques used to represent relationships between university-educated mothers and daughters in contemporary fiction

  • Anna Clifford

    Anna Clifford

    Media and performance arts
    Royal Holloway University of London

    Listening in From the Museum

  • Amy Hare

    Amy Hare

    Culture and communications
    Kingston University London

    Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas

  • Charlotte Fox.jpg

    Charlotte Fox

    Languages and literatures
    Royal Holloway University of London

    The Author is Present: Contemporary Bio-Memoir (2010-2020)

  • Edwin Mingard.jpg

    Edwin Mingard

    Culture and communications
    University of the Arts London

    Making, Unmaking and Remaking History: Exhibition Programming at Chisenhale Gallery in the late 1980s

  • Lindsay Sekulowicz

    Lindsay Sekulowicz

    Histories and philosophies
    University of Brighton

    Collection to Source: Cosmology and Ethnobotanical belongings of the Northwest Amazon

  • Sam Hertz

    Samuel Hertz

    Culture and communications
    Royal Holloway University of London

    Scales of Change: Addressing Global Environmental Change through Transdisciplinary Sonic Practices

  • Hannah Kemp Welch

    Hannah Kemp-Welch

    Art and design
    University of the Arts London

    Listening in Socially-Engaged Art: Artistic Strategies for Equitable Collaboration

  • Pratibha Joshi

    Pratibha Joshi

    Languages and literatures
    University of Surrey

    Mapping India’s Audio Description Practice within an emerging Art Museum Community: The Role of Professional Training on ‘Non-Expert’ Audio Description

  • Peter Sharples

    Peter Sharples

    Media and performance arts
    Brunel University London

    Performing Pain: How Stand-Up Comedy Functions as an Autobiographical Performative Act of Self-Authorship and Resistance in Narrating Disability and Pain

  • Rosie Blacher

    Rosie Blacher

    Languages and literatures
    Kingston University London

    Sensory Experience in the Contact Zone 1876 - 1938

  • San Pham

    San Pham

    Languages and literatures
    University of Surrey

    Curating a Diasporic Archive in the Elsewhere: A Critical and Creative Exploration of Recovering, Dismantling, and Re-Imagining the Diasporic Space

  • Thomas Hull

    Tom Hull

    Languages and literatures
    University of Brighton

    Nineteenth-century Ambivalence and the Gendered Body: A Practice-based Study of Dr James Barry

  • Karina Patfield

    Karina Patfield

    Languages and literatures
    University of Brighton

    Silence from the archive: How can archives inform an original method of blackout poetry seeking to ethically remember the Holocaust?

  • Holly Graham

    Holly Graham

    Culture and communications
    University of Westminster

    Tending to Black Life, Death, and Resistance in the Community Archive: Artist as Archivist / Activist / Care-Worker

  • Tabby Carless Frost

    Tabby Carless-Frost

    Languages and literatures
    Brunel University London

    Between Poison and Cure: Formal Innovation and its Ethical Dilemmas in Writing “Invisible” Chronic Illness

  • Josh Bulman (2)

    Josh Bulman

    Histories and philosophies
    Kingston University London

    Parataxis and being within Cities - an investigation into minority experience and production of space within Thamesmead Estate

  • Izzy Barrett Lally

    Izzy Barrett-Lally

    Histories and philosophies
    Royal Holloway University of London

    A Minor Autobiographical Tradition: Automemoir from Nineteenth-century France to Virtual Worlds’’

  • Livia Dubon-Bohlig.jpg

    Livia Dubon-Bohlig

    Media and performance arts
    Kingston University London

    L’ Orecchio Teso L’ Occhio Sordo, A Regenerative Curatorial Practice Within The IsIAO Colonial Photographic Archive

  • Mike Blackburn

    Mike Blackburn

    Languages and literatures
    Kingston University London

    Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”