
Sara O'Brien
Between Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice
Between Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice
Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland
Episodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth
‘Messianic Adaptation: Pier Paolo Pasolini’s Script for ‘San Paolo’’
Image Without Resemblance: combining co-creative artwork description practices, divergent mimesis and post-modern narrative technique towards an anti-ocularcentric writing methodology.
"On Disability": Using my composite novel to depict a phenomenological account of the "Disability Experience" through auto-ethnographic reflections
Art, resistance, and healing: on the potentials of using the Creative Change Laboratory (CCoLAB) among queer youth in Brighton
Aquinas and determinatio: an exemplary theory of precedent
(Un)containable Bodies: Experiments in Life-Writing and Form, post-1968
From Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps
World Building in Time and Space: Open World Video Game Mechanics in Contemporary Art Practice
A study into the narrative techniques used to convey non-physical childhood sexual abuse and trauma in contemporary Western fiction
The notational: mental health and female identity in the diary films of Anne Charlotte Robertson
Party Girl Gets Sick: Using Autofiction to Navigate Modern Issues of Identity and Illness
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
Listening in From the Museum
Materiality in Comics - Reframing Sequential Function in Graphic Novels by Confronting the Page as Surface
Collection to Source: Cosmology and Ethnobotanical belongings of the Northwest Amazon
Tools for Persuasion: methods of storytelling in UK and US courtrooms
Inferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices
The Author is Present: Contemporary Bio-Memoir (2010-2020)
Making, Unmaking and Remaking History: Exhibition Programming at Chisenhale Gallery in the late 1980s
Unfinished Business: A study into the narrative techniques used to represent relationships between university-educated mothers and daughters in contemporary fiction
Nineteenth-century Ambivalence and the Gendered Body: A Practice-based Study of Dr James Barry
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas
Scales of Change: Addressing Global Environmental Change through Transdisciplinary Sonic Practices
Listening in Socially-Engaged Art: Artistic Strategies for Equitable Collaboration
Sensory Experience in the Contact Zone 1876 - 1938
A Cross-Century Communication between Elizabeth Gaskell and Virginia Woolf via “the Chinese Katherine Mansfield”: Narrative Legacy across Time and Space
Mapping India’s Audio Description Practice within an emerging Art Museum Community: The Role of Professional Training on ‘Non-Expert’ Audio Description
A Minor Autobiographical Tradition: Automemoir from Nineteenth-century France to Virtual Worlds’’
Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”
L’ Orecchio Teso L’ Occhio Sordo, A Regenerative Curatorial Practice Within The IsIAO Colonial Photographic Archive