Techne

Art History

  • Manuel Cini

    Manuel Cini

    Media and performance arts
    University of Surrey

    From Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps

  • Sara Obrien

    Sara O'Brien

    Art and design
    Royal Holloway University of London

    Between Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice

  • Marta Marsicka

    Marta Marsicka

    Culture and communications
    University of the Arts London

    Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989

  • Aurore Damoiseaux

    Aurore Damoiseaux

    Art and design
    University of Brighton

    Employing the materiality of clothed bodies to ask for change: the social and political weight of Greenham Women’s dress (1981-2000).

  • Gabriel Hoosain Khan

    Gabriel Hoosain Khan

    Art and design
    University of Brighton

    Art, resistance, and healing: on the potentials of using the Creative Change Laboratory (CCoLAB) among queer youth in Brighton

  • Tom Chambers [Square]

    Tom Chambers

    Culture and communications
    University of Westminster

    Photography by Train: New Leisure Experiences of Heritage in Britain, 1880s-1930s

  • Amelia Crouch.jpg

    Amelia Crouch

    Media and performance arts
    University of the Arts London

    Episodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth

  • Simon Terrill

    Simon Terrill

    Histories and philosophies
    Kingston University London

    Crowd as Image, Crowd as Process: A contemporary reimagining of the crowd.

  • Sally Jones

    Sally Jones

    Culture and communications
    University of Brighton

    Selling Shippam's: Food Consumption, Visuality and Post-War Culture

  • Hannah Francis

    Hannah Francis

    Royal Holloway University of London

    Black British History, Inclusive Teaching and Curriculum Reform

  • Sophia Kamps

    Sophia Kamps

    Culture and communications
    Royal Holloway University of London

    Economies of Natural History: Publishing Science in Victorian and Edwardian Britain

  • Amy Hare

    Amy Hare

    Culture and communications
    Kingston University London

    Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas

  • Ellis Cuffe.jpg

    Ellis Cuffe

    Histories and philosophies
    Royal Holloway University of London

    The Micro-Histories of Rural Romano-Egyptian Households

  • Sarah Phelan

    Sarah Phelan

    Art and design
    University of the Arts London

    Missing Mavigraphs: Investigating the Lost Potentials of Thermographic & Electromagnetic Video Printing Systems

  • Kitty Clark

    Kitty Clark

    Culture and communications
    Kingston University London

    World Building in Time and Space: Open World Video Game Mechanics in Contemporary Art Practice

  • Alex Kirstukas Techne profile.jpg

    Alex Kirstukas

    Media and performance arts
    Royal Holloway University of London

    Moving Pictures, Music and Theatrical Exhibition in London, 1914–1930

  • Monica Jae Yeon Moon

    Monica Jae Yeon Moon

    Culture and communications
    University of Brighton

    Colonial modernity in Dongdaemun garment district and its fashion production (1910-2014)

  • Lucie Mclaughlin

    Lucie McLaughlin

    Art and design
    Kingston University London

    Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland

  • Karen Hanrahan.jpg

    Karen Hanrahan

    Languages and literatures
    University of Brighton

    Narrative navigatio of former nuns: Exploring stories of transgression, reflexivity and transcendence through life history

  • Amanda Holiday

    Amanda Holiday

    Languages and literatures
    University of Brighton

    Poetry, Race and Art

  • Jessica Higgins

    Jessica Higgins

    Art and design
    Kingston University London

    Inferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices

  • Jessa Mockridge

    Jessa Mockridge

    Art and design
    Kingston University London

    rub rub rub rub rub rub brush brush quiver oh hello, you: Queer Captioning as Material

  • Abbas Zahedi

    Abbas Zahedi

    Art and design
    Kingston University London

    Acoustic Agency: Reimagining Mental Health Spaces through Sound and Art

  • Mariachiara Tiboni

    Mariachiara Tiboni

    Art and design
    Kingston University London

    Between Tradition and Innovation: Women's Textiles in Venetia during the Fascist Era (1920s-1940s)

  • Maud Craigie

    Culture and communications
    Kingston University London

    Tools for Persuasion: methods of storytelling in UK and US courtrooms

  • Georgia Dimdore Miles

    Georgia Dimdore-Miles

    Histories and philosophies
    Royal Holloway University of London

    Cruising the cut: Lesbian histories of mobility and queer futures of boat-dwelling on the UK's canals

  • Amber Savage

    Amber Savage

    Histories and philosophies
    Loughborough University London

    Wired for the War?: The Role of British Telegraphy and Communication Networks in World War II

  • Jesse Cumming

    Jesse Cumming

    Media and performance arts
    University of Roehampton London

    The Dynamics of Development: An Analysis of the Operation and Influence of Filmmaking Laboratories and Workshops.

  • Eve Barro

    Eve Barro

    Art and design
    Loughborough University London

    Colonial Coral: Design for Decolonising More-than-Human Worlds in the Natural History Museum

  • Ellennolan

    Ellen Nolan

    Culture and communications
    University of Westminster

    The Nita Harvey Archive: Hidden History, Experience and Objectification in the 1930s Hollywood Star System.

  • Lillian Crawford

    Lillian Crawford

    Media and performance arts
    Royal Holloway University of London

    Television Drama in Transition: Screen Two, the Single Play, and the Television Film

  • Zoe Few

    Zoe Few

    Culture and communications
    University of Westminster

    Pride, Passengers and Personnel: Collecting LGBTQ+ Experiences in and on London’s Transport in the 1970s and 1980s.

  • KATHERINE EASTHILL

    Katherine Easthill

    Brunel University London

    The Wapping Post: Media Democracy and Workers' Control

  • Anna Clifford

    Anna Clifford

    Media and performance arts
    Royal Holloway University of London

    Listening in From the Museum

  • Eleanor Medhurst

    Eleanor Medhurst

    Histories and philosophies
    University of Brighton

    ‘Crafting a Life’: examining the role of craft in lesbian dress and textiles through oral history, c.1963-2003

  • Mike Blackburn

    Mike Blackburn

    Languages and literatures
    Kingston University London

    Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”

  • Anne Nielsen

    Anne Nielsen

    Culture and communications
    University of Brighton

    Duplicates, Dispersal and Disposal in Museums

  • Alistair Sherwood.jpg

    Alastair Sherwood

    Languages and literatures
    University of Roehampton London

    Seeing the Funny Side: Slapstick, Visuality, and Victorian Literary Form

  • Alana Reibstein

    Alana Frey Reibstein

    Media and performance arts
    University of Roehampton London

    Dancing as Religious Embodiment: A Philosophical Perspective on Esotericism and Occultism in Early Modern Dance

  • Edwin Mingard.jpg

    Edwin Mingard

    Culture and communications
    University of the Arts London

    Making, Unmaking and Remaking History: Exhibition Programming at Chisenhale Gallery in the late 1980s

  • Sam Bartlett.jpg

    Sam Bartlett

    Culture and communications
    Royal Holloway University of London

    An Analysis of Muhammad Marmaduke Pickthall’s Intellectual Thought in India; Exploring its Development and Contemporary Significance

  • Bill Edmonds [Square]

    Bill Edmonds

    Histories and philosophies
    Royal Holloway University of London

    Global Humanitarianism: Quaker Aid to Refugees from Nazism, 1938-1945

  • Sam Hertz

    Samuel Hertz

    Culture and communications
    Royal Holloway University of London

    Scales of Change: Addressing Global Environmental Change through Transdisciplinary Sonic Practices

  • Hannah Kemp Welch

    Hannah Kemp-Welch

    Art and design
    University of the Arts London

    Listening in Socially-Engaged Art: Artistic Strategies for Equitable Collaboration

  • Samantha Dick

    Samantha Dick

    Art and design
    Kingston University London

    I Woz Ere: An Intimate Look at the Forgotten Tower Blocks of the Edinburgh City Skyline

  • Maria Paganopoulou

    Maria Paganopoulou

    Histories and philosophies
    University of Brighton

    Publishing Feminism: Poli Gynaikon, Feminist Media, and the Transnational Exchange of Ideas

  • Christina Hourigan.jpg

    Christina Hourigan

    Histories and philosophies
    Royal Holloway University of London

    The making of a global arboretum: the case of the Royal Botanic Gardens, Kew

  • Regan Ebsworth

    Regan Ebsworth

    Histories and philosophies
    Brunel University London

    Resistance, Collaboration, and the Spaces in Between: the Internment of British Citizens in France, 1935-1955

  • Alan Lee

    Alan Lee

    Culture and communications
    University of Roehampton London

    Pride Flags and Queer Networks: The Making of the Transnational LGBTQ+ Community

  • Wajid Abbas Rather

    Wajid Abbas Rather

    Culture and communications
    Royal Holloway University of London

    Changing Dynamics of Shi'ism in Kashmir: Commemorative practices, Identity and Transnational Influences.

  • Pragya Sharma.jpg

    Pragya Sharma

    Histories and philosophies
    University of Brighton

    Cultures of Hand-knitting in North India: Provenance, Domesticity and Gendered Learning, c.1850-1980

  • Charlotte Bookham

    Charlotte Bookham

    Culture and communications
    Royal Holloway University of London

    Travelling Circus Animals: traversing boundaries of performer, pet and property 1822-1925

  • Lindsay Sekulowicz

    Lindsay Sekulowicz

    Histories and philosophies
    University of Brighton

    Collection to Source: Cosmology and Ethnobotanical belongings of the Northwest Amazon

  • Leon Thomas

    Leon Thomas

    Media and performance arts
    Royal Holloway University of London

    Caribbean Jazz: A Performative Discourse on the Roots, Rhythms, and Reach of Anglophone and Francophone Caribbean Jazz

  • Jahnvi Acharya

    Janhvi Acharya

    Histories and philosophies
    Royal Holloway University of London

    Home Away from Home: Exploring 'neighbourliness' and community identities among British South Asians, 1960 to 2017

  • Lisa Hinkins

    Lisa Hinkins

    Art and design
    University of Brighton

    Where are all the Lesbians? In search of Lesbian Lives in Museums.

  • Lauren Warner-Treloar

    Lauren Warner-Treloar

    Culture and communications
    Kingston University London

    Sound Art and Visual Culture: The Anti-Book Experiment in the Romanov Empire and the USSR, 1881-1932

  • Aleksei Ziniuk

    Aleksei Ziniuk

    Histories and philosophies
    Kingston University London

    The Socialist Being of a Thing: The Concepts of Object and Structure in Soviet Constructivism and Bruno Latour's Legacy

  • Richard Squires

    Richard Squires

    Art and design
    University of Brighton

    Death-style: An essay film investigation of 1980s images of gay male depravity through the lens of ‘queer negativity’

  • Joe Rizzo Naudi (2)

    Joseph Rizzo Naudi

    Languages and literatures
    Royal Holloway University of London

    Image Without Resemblance: combining co-creative artwork description practices, divergent mimesis and post-modern narrative technique towards an anti-ocularcentric writing methodology.

  • Jacqueline Grainger.jpg

    Jacqueline Grainger

    Histories and philosophies
    University of Westminster

    The 'Lost' Museum: The rise and fall of the British Empire in objects

  • Holly Graham

    Holly Graham

    Culture and communications
    University of Westminster

    Tending to Black Life, Death, and Resistance in the Community Archive: Artist as Archivist / Activist / Care-Worker

  • Tim Jerrome

    Tim Jerrome

    Histories and philosophies
    University of Brighton

    Uncovering queer histories and dissonant sexualities in rural England, c.1800-1950

  • Pratibha Joshi

    Pratibha Joshi

    Languages and literatures
    University of Surrey

    Mapping India’s Audio Description Practice within an emerging Art Museum Community: The Role of Professional Training on ‘Non-Expert’ Audio Description

  • Sandra Lipner.jpg

    Sandra Lipner

    Histories and philosophies
    Royal Holloway University of London

    Microhistories of the Holocaust and the Use of Family History: The Families Ganz / Brenzinger, c1871 - 1945

  • Thomas Hull

    Tom Hull

    Languages and literatures
    University of Brighton

    Nineteenth-century Ambivalence and the Gendered Body: A Practice-based Study of Dr James Barry

  • Marta Garcia

    Marta García

    Languages and literatures
    University of Roehampton London

    Painting Critical-Creative Writing: J. M. Barrie, F. Scott Fitzgerald, and Zelda

  • Olivia Aarons

    Olivia Aarons

    Histories and philosophies
    Royal Holloway University of London

    Speaking Truth to Power: A History of Galop and the LGBTQ Community's Responses to Violence

  • Adrianna Chmielewska (1)

    Adrianna Chmielewska

    Culture and communications
    Royal Holloway University of London

    Adaptation of literature into opera as a reflection of Italian cultural imagination and identity.

  • Emma Mitchell.jpg

    Emma Mitchell

    Languages and literatures
    Brunel University London

    The Covent Garden Ladies: Life Beyond Harris’s List

  • Soumyaseema Mandal

    Soumyaseema Mandal

    Royal Holloway University of London

    “Lesbian?”... “She no Lebanese. She Punjabi!”: Tracing the experiences of working-class, queer British South Asian women, 1970s to 1990s

  • Kiera Amy Fitzgerald - Photo 2

    Kiera Fitzgerald

    Languages and literatures
    University of Roehampton London

    Literary Heritage and the Public Archives: The Diverse Women of Britain’s Special Operations Executive, F Section

  • Aurora Prehn.jpg

    Aurora Prehn

    Culture and communications
    Royal Holloway University of London

    The Biocultural Diaspora of Tea in the 21st Century

  • Xi (Bonnie) Liu

    Xi (Bonnie) Liu

    Languages and literatures
    Royal Holloway University of London

    A Cross-Century Communication between Elizabeth Gaskell and Virginia Woolf via “the Chinese Katherine Mansfield”: Narrative Legacy across Time and Space

  • Hannah Cotterill.jpg

    Hannah Cotterill

    Languages and literatures
    Royal Holloway University of London

    Milk to Gall: Representations of Angry Women on Page and Stage

  • Livia Dubon-Bohlig.jpg

    Livia Dubon-Bohlig

    Media and performance arts
    Kingston University London

    L’ Orecchio Teso L’ Occhio Sordo, A Regenerative Curatorial Practice Within The IsIAO Colonial Photographic Archive