Gabriel Hoosain Khan
Art, resistance, and healing: on the potentials of using the Creative Change Laboratory (CCoLAB) among queer youth in Brighton
Art, resistance, and healing: on the potentials of using the Creative Change Laboratory (CCoLAB) among queer youth in Brighton
Between Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice
The Violence of Vision: Wild Plakken and the Crisis of Dutch Political Identity, 1977–1996
Remaking the World: Uses of the Imagination in the Cultural Production of Resistant Movements
Episodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth
Design Activism – Exploring Creative Repertoires for Public Participation
Radical Spiritual Collective: Spiritual Activism as Curatorial Collective Engagements with Diasporic Feminist Artistic Practices
Evaluating brand activism and social change across stakeholders
From Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps
Aquinas and determinatio: an exemplary theory of precedent
World Building in Time and Space: Open World Video Game Mechanics in Contemporary Art Practice
Materiality in Comics - Reframing Sequential Function in Graphic Novels by Confronting the Page as Surface
Re-imagining liminal therapeutic landscapes
Listening in From the Museum
Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland
Making, Unmaking and Remaking History: Exhibition Programming at Chisenhale Gallery in the late 1980s
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
Inferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices
Collection to Source: Cosmology and Ethnobotanical belongings of the Northwest Amazon
Tools for Persuasion: methods of storytelling in UK and US courtrooms
Women’s Movements in Africa: Digital Collective Identity Building and Offline Organising in Ethiopia and Kenya
Employing the materiality of clothed bodies to ask for change: the social and political weight of Greenham Women’s dress (1981-2000).
Scales of Change: Addressing Global Environmental Change through Transdisciplinary Sonic Practices
Listening in Socially-Engaged Art: Artistic Strategies for Equitable Collaboration
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas
Re-storying the city: applying urban perspectives to eco-storytelling
Towards a decolonized future examining the meaning of solidarity alliance in settler states
Image Without Resemblance: combining co-creative artwork description practices, divergent mimesis and post-modern narrative technique towards an anti-ocularcentric writing methodology.
Exploring the History of Black Women’s Mental Health Organising in Britain from the 1970s – Present Day
‘Messianic Adaptation: Pier Paolo Pasolini’s Script for ‘San Paolo’’
Mapping India’s Audio Description Practice within an emerging Art Museum Community: The Role of Professional Training on ‘Non-Expert’ Audio Description
Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”