Techne

Art Activism

  • Gabriel Hoosain Khan

    Gabriel Hoosain Khan

    Art and design
    University of Brighton

    Art, resistance, and healing: on the potentials of using the Creative Change Laboratory (CCoLAB) among queer youth in Brighton

  • Annie Kwan.jpg

    Annie Kwan

    Art and design
    University of Westminster

    Radical Spiritual Collective: Spiritual Activism as Curatorial Collective Engagements with Diasporic Feminist Artistic Practices

  • Sara Obrien

    Sara O'Brien

    Art and design
    Royal Holloway University of London

    Between Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice

  • Katt Ekrami

    Katt Ekrami

    Culture and communications
    University of the Arts London

    Evaluating brand activism and social change across stakeholders

  • Manuel Cini

    Manuel Cini

    Media and performance arts
    University of Surrey

    From Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps

  • Amelia Crouch.jpg

    Amelia Crouch

    Media and performance arts
    University of the Arts London

    Episodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth

  • Simon Terrill

    Simon Terrill

    Histories and philosophies
    Kingston University London

    Crowd as Image, Crowd as Process: A contemporary reimagining of the crowd.

  • Kitty Clark

    Kitty Clark

    Culture and communications
    Kingston University London

    World Building in Time and Space: Open World Video Game Mechanics in Contemporary Art Practice

  • Sarah Phelan

    Sarah Phelan

    Art and design
    University of the Arts London

    Missing Mavigraphs: Investigating the Lost Potentials of Thermographic & Electromagnetic Video Printing Systems

  • Lucie Mclaughlin

    Lucie McLaughlin

    Art and design
    Kingston University London

    Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland

  • Amanda Holiday

    Amanda Holiday

    Languages and literatures
    University of Brighton

    Poetry, Race and Art

  • Jessica Higgins

    Jessica Higgins

    Art and design
    Kingston University London

    Inferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices

  • Selam Mussie Tadesse

    Selam Mussie Tadesse

    Culture and communications
    University of Westminster

    Women’s Movements in Africa: Digital Collective Identity Building and Offline Organising in Ethiopia and Kenya

  • Aurore Damoiseaux

    Aurore Damoiseaux

    Art and design
    University of Brighton

    Employing the materiality of clothed bodies to ask for change: the social and political weight of Greenham Women’s dress (1981-2000).

  • Jessa Mockridge

    Jessa Mockridge

    Art and design
    Kingston University London

    rub rub rub rub rub rub brush brush quiver oh hello, you: Queer Captioning as Material

  • Abbas Zahedi

    Abbas Zahedi

    Art and design
    Kingston University London

    Acoustic Agency: Reimagining Mental Health Spaces through Sound and Art

  • Marta Marsicka

    Marta Marsicka

    Culture and communications
    University of the Arts London

    Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989

  • Maud Craigie

    Culture and communications
    Kingston University London

    Tools for Persuasion: methods of storytelling in UK and US courtrooms

  • Jesse Cumming

    Jesse Cumming

    Media and performance arts
    University of Roehampton London

    The Dynamics of Development: An Analysis of the Operation and Influence of Filmmaking Laboratories and Workshops.

  • Anna Clifford

    Anna Clifford

    Media and performance arts
    Royal Holloway University of London

    Listening in From the Museum

  • Eleanor Medhurst

    Eleanor Medhurst

    Histories and philosophies
    University of Brighton

    ‘Crafting a Life’: examining the role of craft in lesbian dress and textiles through oral history, c.1963-2003

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    Edwin Mingard

    Culture and communications
    University of the Arts London

    Making, Unmaking and Remaking History: Exhibition Programming at Chisenhale Gallery in the late 1980s

  • Amy Hare

    Amy Hare

    Culture and communications
    Kingston University London

    Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas

  • Sam Hertz

    Samuel Hertz

    Culture and communications
    Royal Holloway University of London

    Scales of Change: Addressing Global Environmental Change through Transdisciplinary Sonic Practices

  • Hannah Kemp Welch

    Hannah Kemp-Welch

    Art and design
    University of the Arts London

    Listening in Socially-Engaged Art: Artistic Strategies for Equitable Collaboration

  • Lindsay Sekulowicz

    Lindsay Sekulowicz

    Histories and philosophies
    University of Brighton

    Collection to Source: Cosmology and Ethnobotanical belongings of the Northwest Amazon

  • Keren Assaf

    Keren Assaf

    Histories and philosophies
    Brunel University London

    Towards a decolonized future examining the meaning of solidarity alliance in settler states

  • Davinia Ann Robinson

    Davinia-Ann Robinson

    Culture and communications
    University of Westminster

    Through an Embodied Practice of Stillness

  • Joe Rizzo Naudi (2)

    Joseph Rizzo Naudi

    Languages and literatures
    Royal Holloway University of London

    Image Without Resemblance: combining co-creative artwork description practices, divergent mimesis and post-modern narrative technique towards an anti-ocularcentric writing methodology.

  • Holly Graham

    Holly Graham

    Culture and communications
    University of Westminster

    Tending to Black Life, Death, and Resistance in the Community Archive: Artist as Archivist / Activist / Care-Worker

  • Pratibha Joshi

    Pratibha Joshi

    Languages and literatures
    University of Surrey

    Mapping India’s Audio Description Practice within an emerging Art Museum Community: The Role of Professional Training on ‘Non-Expert’ Audio Description

  • Marta Garcia

    Marta García

    Languages and literatures
    University of Roehampton London

    Painting Critical-Creative Writing: J. M. Barrie, F. Scott Fitzgerald, and Zelda

  • Mike Blackburn

    Mike Blackburn

    Languages and literatures
    Kingston University London

    Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”

  • Livia Dubon-Bohlig.jpg

    Livia Dubon-Bohlig

    Media and performance arts
    Kingston University London

    L’ Orecchio Teso L’ Occhio Sordo, A Regenerative Curatorial Practice Within The IsIAO Colonial Photographic Archive