
Sara O'Brien
Between Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice
Between Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice
Episodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth
Art, resistance, and healing: on the potentials of using the Creative Change Laboratory (CCoLAB) among queer youth in Brighton
Aquinas and determinatio: an exemplary theory of precedent
From Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps
World Building in Time and Space: Open World Video Game Mechanics in Contemporary Art Practice
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
Listening in From the Museum
Materiality in Comics - Reframing Sequential Function in Graphic Novels by Confronting the Page as Surface
Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland
Collection to Source: Cosmology and Ethnobotanical belongings of the Northwest Amazon
Tools for Persuasion: methods of storytelling in UK and US courtrooms
Inferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices
Making, Unmaking and Remaking History: Exhibition Programming at Chisenhale Gallery in the late 1980s
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas
Scales of Change: Addressing Global Environmental Change through Transdisciplinary Sonic Practices
Listening in Socially-Engaged Art: Artistic Strategies for Equitable Collaboration
Image Without Resemblance: combining co-creative artwork description practices, divergent mimesis and post-modern narrative technique towards an anti-ocularcentric writing methodology.
‘Messianic Adaptation: Pier Paolo Pasolini’s Script for ‘San Paolo’’
Mapping India’s Audio Description Practice within an emerging Art Museum Community: The Role of Professional Training on ‘Non-Expert’ Audio Description
Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”
L’ Orecchio Teso L’ Occhio Sordo, A Regenerative Curatorial Practice Within The IsIAO Colonial Photographic Archive