Marta García
Painting Critical-Creative Writing: J. M. Barrie, F. Scott Fitzgerald, and Zelda
Painting Critical-Creative Writing: J. M. Barrie, F. Scott Fitzgerald, and Zelda
Narratives of home: Exploring the practice of space in socially engaged theatre as a means of resisting gentrification and displacement
Edward Gorey’s Neo-Victorian Picturebooks: Unravelling the Dark Humours of Childhood Culture
Metaphors for the Social Transformations of Arab Cities: Aleppo, Baghdad, and Jerusalem Through Three Novels
(Un)containable Bodies: Experiments in Life-Writing and Form, post-1968
Party Girl Gets Sick: Using Autofiction to Navigate Modern Issues of Identity and Illness
Sensory Experience in the Contact Zone 1876 - 1938
Curious Travellers and Ambivalent Performers: British Women Travellers and Orientalism in Kurdistan (1890-1940)
Dirty Work: Latin American Horror and the Invisible Violence of Domestic Servitude
Complexity Theory’s Potential For Creative Writing: Open Systems, Nonlinearity, Chaos And Emergence In The Twenty-First Century Trauma Novel
Literary Heritage and the Public Archives: The Diverse Women of Britain’s Special Operations Executive, F Section
Milk to Gall: Representations of Angry Women on Page and Stage
Metallic voices: Conversations with inscribed metal jewellery in early medieval England
Intersectionality in Contemporary Black British Women’s Short Fiction
‘Calling to theory, calling to bed’: Transpoetics After the Sign
Documenting Resistance through Food: A Study of Twentieth-Century Dalit Literature
Cold Love: Can screened depictions of love between humans and robots legitimately contribute to debates regarding socio-ethical implications of HRI
Modular Audio Description: Using the extended track to enable personalisation for different audiences
The polyglot writer: what multilingual texts reveal about writers’ emotional attachment to the languages they speak
Towards an ecofeminist ecriture feminine : poetic responses to climate grief under patriarchal and anthropocentric hegemony
Disrupter or enabler? Assessing the impact of using automatic speech recognition technology in interpreter-mediated legal proceedings
Unfinished Business: A study into the narrative techniques used to represent relationships between university-educated mothers and daughters in contemporary fiction
An Archive of Fairies: Modernism, Fantasy, and Shy Ephemera 1890-1930
'In Limbo': staging the gap between personal and public narratives of home of Georgian Internally Displaced People
Identity Confusion and ‘Mad Gain’ in Nineteenth-Century England, France, and Russia
Unfinishing: The Draft Poetics of Lyn Hejinian, Susan Howe, and Rachel Blau DuPlessis
The Margins of Instruction: Educating Children through Narrative in Mid-Nineteenth Century Britain
Narrative navigatio of former nuns: Exploring stories of transgression, reflexivity and transcendence through life history
‘I have come to claim / Marilyn Monroe’s body’: Exploring Identification through Star Images in American Lyric Poetry.
The Covent Garden Ladies: Life Beyond Harris’s List
The Semantics and Pragmatics of Taboo Words
Mapping India’s Audio Description Practice within an emerging Art Museum Community: The Role of Professional Training on ‘Non-Expert’ Audio Description
A Cross-Century Communication between Elizabeth Gaskell and Virginia Woolf via “the Chinese Katherine Mansfield”: Narrative Legacy across Time and Space
“West African Writings and Pan-African Networks: Black Periodicals and Print Culture in the Late-Victorian British Empire”
Representations of Muslim Masculinities in Contemporary British and American Diaspora Novels
Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”
Nineteenth-century Ambivalence and the Gendered Body: A Practice-based Study of Dr James Barry
Between Poison and Cure: Formal Innovation and its Ethical Dilemmas in Writing “Invisible” Chronic Illness
Silence from the archive: How can archives inform an original method of blackout poetry seeking to ethically remember the Holocaust?
Neuro-Gothic: a new history of madness
Seeing the Funny Side: Slapstick, Visuality, and Victorian Literary Form
The Author is Present: Contemporary Bio-Memoir (2010-2020)
“Priceless Gems of Living Thought”: Literary Encounters with Anarchism at the fin de siècle
Western Austronesian voice in three Berawan-Lower Baram languages of northern Borneo: Typology, Description and Usage
"On Disability": Using my composite novel to depict a phenomenological account of the "Disability Experience" through auto-ethnographic reflections
Ecohorror and the work of Annie Proulx: Imagining Non-Human Trauma Victims
Curating a Diasporic Archive in the Elsewhere: A Critical and Creative Exploration of Recovering, Dismantling, and Re-Imagining the Diasporic Space
Image Without Resemblance: combining co-creative artwork description practices, divergent mimesis and post-modern narrative technique towards an anti-ocularcentric writing methodology.
Glass architecture and photography in late nineteenth-century storytelling
Can you hear us? A new model of East Asian students’ authorial voice in academic writing from a multilingual perspective
Autoethnographic exploration of resistance to anti-gay legislation in 80s/90s Brighton.
'Two men on a summer night, with nowhere to call their own': ‘Affective Precarity’ in British Gay Men's Contemporary Fiction
Figuring Out in Spenser and Late Shakespeare: Obscure Life and Spectatorship