Joshua Sadler
Undefinable: Performance and the Radical Practice of Generative Neurodiversity
Undefinable: Performance and the Radical Practice of Generative Neurodiversity
A creative and critical investigation into women in theatre
Becoming-with-Animal: Ecofeminist Performance Practice in Contemporary Art
Queering the Simulacrum: How Can Generative AI Video Practice Be Challenged and Elevated Through Queer Expanded Cinema
Freedom Walks: Reanimating Ghanaian and West African Cultural Artefacts through Performance.
Italian Blackness: Decolonising the former Museum of the Colonies
Sagacho Exhibit Space: analysing innovations in art, systems and culture at Japan's pioneering alternative space, across the 1980s and 1990s
Dance as Play: building and fostering relationships in a post-pandemic society.
Co-composing Acousmatic Stories: Hybrid strategies for exploring change, crisis and community through collaborative creative practice
Flipped Hierarchies: Exploring Narrative Metalepsis As A Radical Critical Tool Through Artists’ Moving Image Practice
Vectors: feminist speculations on technologies of subjecthood, objectification and gender in futuristic sex work
Experiential audio in museum contexts
Ways of Knowing: Multimodality in Violin Practice
Caribbean Jazz: A Performative Discourse on the Roots, Rhythms, and Reach of Anglophone and Francophone Caribbean Jazz
From Ashes To Eternity - The Unknown Music Compositions of the Nazi Concentration Camps
Television Drama in Transition: Screen Two, the Single Play, and the Television Film
Queer, crip live art in the post ‘trans tipping point’ era: an archive of affect
Vibrational kinship: Resonances of moving, sounding and listening bodies
A Postcolonial Investigation of Desiring Homegrown Dating Apps in Contemporary India
Between The Practice and The Pedagogy of Dramatic Writing: Towards A Cohesive Approach to Training The Contemporary Scriptwriter
Lolita: Fashioning Identity, Liberal Selves and the City
The Aesthetic Vocabulary of Black Women's Experimental Work in Practice and Performance
Breaking the gender and identity boundaries of the symphonic form during the 20th century and beyond
Workflows and Production Guidelines for Immersive Music
Bringing Theatre Home: an investigation into the socio-spatial implications of performance practices in domestic settings
Documenta 11: Art's Global Entanglement
Developing the disappearing art of Lefkaritika into a community pedagogy, in order to witness the silences in marginalised women’s lives
The Materiality of Digital Music: An Assemblage of Musicians and Vital Materials
Singing the World: towards a Phenomenology of Nineteenth-Century Lied
Developing a TV Drama for the Misrepresented: British Female Arab Actors
The Theatricalization of Class in Performance, Policy and Practice.
Tuning In: Sustainable Leadership Solutions for the Wellbeing and Mental Health Crisis in UK Television Production
Dance and the re-articulation of value: Embodied pathways to sustainability
Confronting Environmental Melancholia: A Dramaturgical Examination of Environmental Protest through the Making of Verbatim Theatre
You’re Havin’ a Class! An exploration of the experiences of working-class scripted television comedy writers
Dancing as Religious Embodiment: A Philosophical Perspective on Esotericism and Occultism in Early Modern Dance
Listening in From the Museum
Spectacles against The Spectacle: Is a new politics of paradox emerging in British experimental theatre of the 2010’s?
A ‘decolonial green’ aesthetic: how roots reggae reflects and constructs Caribbean and Caribbean diasporic listeners’ practices and attitudes towards sustainability.
Voices from the Margins: The Cyborg Concept Album
Loss, a practice for making; catalysing new methods for movement practice and performance
Art fairs and power: an investigation into the post-war history of art fairs from radical beginnings to consolidations of globalised power
The Vocabulary of Touch: Encountering Otherness through Contact Improvisation
Choreography as Curation as Hosting: Relational complexities and modes of production in an expanded field of practice
Human-Computer Counter-Choreographies
Episodic self-display and shifting modes of address: Performing identity in artists' moving image in a neoliberal era of post-truth
#Neuroqueer: emerging neurodivergent and queer digital cultures
Moving Pictures, Music and Theatrical Exhibition in London, 1914–1930
The music of speech: effort, expectations, effects and affect