
Vicens Colomer
Using reflective sociocultural e‐portfolios in a non‐immersion language learning context
Using reflective sociocultural e‐portfolios in a non‐immersion language learning context
Sensory Experience in the Contact Zone 1876 - 1938
Curious Travellers and Ambivalent Performers: British Women Travellers and Orientalism in Kurdistan (1890-1940)
Sounds from Outside: Mapping Transnational Communities in Contemporary Experimental and Exophonic Poetry
“West African Writings and Pan-African Networks: Black Periodicals and Print Culture in the Late-Victorian British Empire”
Representations of Muslim Masculinities in Contemporary British and American Diaspora Novels
Exploration into the features and characteristics of cognitive processing within multimodal “concept/puzzle advertisements”
Nineteenth-century Ambivalence and the Gendered Body: A Practice-based Study of Dr James Barry
Clothing matters: Uncovering overlooked aspects of the Holocaust through Charlotte Delbo’s literary representations of garments
Double Wound: Writing (Nepali) Women, Sexual Violence and Trauma
Glass architecture and photography in late nineteenth-century storytelling
Can you hear us? A new model of East Asian students’ authorial voice in academic writing from a multilingual perspective
Autoethnographic exploration of resistance to anti-gay legislation in 80s/90s Brighton.
Re-storying the city: applying urban perspectives to eco-storytelling
A study into the narrative techniques used to convey non-physical childhood sexual abuse and trauma in contemporary Western fiction
Literary Heritage and the Public Archives: The Diverse Women of Britain’s Special Operations Executive, F Section
The Listening: fictionalising fugitive voices and fragmented lives in the slavery archive
Milk to Gall: Representations of Angry Women on Page and Stage
Metallic voices: Conversations with inscribed metal jewellery in early medieval England
Intersectionality in Contemporary Black British Women’s Short Fiction
Memorialisation and Posthumous Curation: The Displacing of the Victorian Voice, Corpse and Corpus in an Evolving Heritage Sector
Cold Love: Can screened depictions of love between humans and robots legitimately contribute to debates regarding socio-ethical implications of HRI
Modular Audio Description: Using the extended track to enable personalisation for different audiences
The polyglot writer: what multilingual texts reveal about writers’ emotional attachment to the languages they speak
Towards an ecofeminist ecriture feminine : poetic responses to climate grief under patriarchal and anthropocentric hegemony
Disrupter or enabler? Assessing the impact of using automatic speech recognition technology in interpreter-mediated legal proceedings
Unfinished Business: A study into the narrative techniques used to represent relationships between university-educated mothers and daughters in contemporary fiction
'In Limbo': staging the gap between personal and public narratives of home of Georgian Internally Displaced People
Belonging in the City: Poetics of Place as Acts of Resistance Against Hyper-Commodification
Mia san Mia and Bergkamp in Marseille: Language and identity in football locales
Identity Confusion and ‘Mad Gain’ in Nineteenth-Century England, France, and Russia
Unfinishing: The Draft Poetics of Lyn Hejinian, Susan Howe, and Rachel Blau DuPlessis
The Margins of Instruction: Educating Children through Narrative in Mid-Nineteenth Century Britain
Narratives of home: Exploring the practice of space in socially engaged theatre as a means of resisting gentrification and displacement
Collective Space: Feminist Film and Video Collaborations, Collectives and Organisations, 1970-1986 and their contemporary relevance.
Diverse Shakespeare: New Writing from Shakespeare's Globe
Edward Gorey’s Neo-Victorian Picturebooks: Unravelling the Dark Humours of Childhood Culture
Metaphors for the Social Transformations of Arab Cities: Aleppo, Baghdad, and Jerusalem Through Three Novels
(Un)containable Bodies: Experiments in Life-Writing and Form, post-1968
Party Girl Gets Sick: Using Autofiction to Navigate Modern Issues of Identity and Illness
‘Messianic Adaptation: Pier Paolo Pasolini’s Script for ‘San Paolo’’
Chrysalis Boy - An Autoethnographic Investigation Of The Workings Of Exclusion
The Covent Garden Ladies: Life Beyond Harris’s List
Affective Scribal Activity in Medieval Devotional Writing, 1300-1500
The Semantics and Pragmatics of Taboo Words
Mapping India’s Audio Description Practice within an emerging Art Museum Community: The Role of Professional Training on ‘Non-Expert’ Audio Description
A Cross-Century Communication between Elizabeth Gaskell and Virginia Woolf via “the Chinese Katherine Mansfield”: Narrative Legacy across Time and Space
Neuro-Gothic: a new history of madness
SOUNDING OUT IDENTITIES OF THE ARTIFICIAL VOICE
Seeing the Funny Side: Slapstick, Visuality, and Victorian Literary Form
William Blake and London: The Artist Visualising Jerusalem
The Author is Present: Contemporary Bio-Memoir (2010-2020)
“Priceless Gems of Living Thought”: Literary Encounters with Anarchism at the fin de siècle
Western Austronesian voice in three Berawan-Lower Baram languages of northern Borneo: Typology, Description and Usage
"On Disability": Using my composite novel to depict a phenomenological account of the "Disability Experience" through auto-ethnographic reflections
Ecohorror and the work of Annie Proulx: Imagining Non-Human Trauma Victims
Image Without Resemblance: combining co-creative artwork description practices, divergent mimesis and post-modern narrative technique towards an anti-ocularcentric writing methodology.
Aphasia, Reassembly and Resemblance in the Black British poetry of the 21st Century
Water-Bodied Poetics and Kinetic Translation
Narrative navigatio of former nuns: Exploring stories of transgression, reflexivity and transcendence through life history