Katt Ekrami
Evaluating brand activism and social change across stakeholders
Evaluating brand activism and social change across stakeholders
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
Rhythms of Making: Preserving Cultural Knowledge in Shanxi's Craft Communities - Tradition, Technology and Community Practice in Cultural Heritage
Offensive Speech, Fake News and the Brazilian ‘New Right’
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas
The Significance of Magazine Publishing for Black British Art
Beyond The State: State Resistance & The Culture of Autonomy in Barbacha, Algeria
Duplicates, Dispersal and Disposal in Museums
World Building in Time and Space: Open World Video Game Mechanics in Contemporary Art Practice
Reasonable men might have acted likewise: a practice-based investigation of the Strangeways Prison protest
The cultural legacy of Paralympic media in Peru: Lessons from the Global South
Resourcing Gypsy, Romany, Traveller trans youth in the UK: An exploration of intersectionality using heritage as a vehicle for empowerment
Exploring nature-fashion partnerships using collective crafting with Indian textile artisans
To what extent is the ‘public service’ intervention in UK broadcasting applicable to contemporary policy on digital platforms?
Inclusive Engagement Practice
Revisiting Race and Thatcherism: the Second Life of the 1980-85 Uprisings on Screen
Mapping Messengers: The work, urban mobility, and lived experiences of London motorcycle despatch riders, 1970 – 2000.
Media representations and lived experiences of working-class women’s unpaid domestic labour
The Geopower of Air and Fire: a Cultural Geography of Fiery Rituals in China
Making, Unmaking and Remaking History: Exhibition Programming at Chisenhale Gallery in the late 1980s
Dismantling modern-day slavery: Learning from the lives of indentured brick kiln workers in peri-urban Pakistan.
Eadweard Muybridge: A study of his work and legacy through an inter-institutional evaluation of the Kingston Museum bequest and other collections
Screen-to-measure: A practice-based, archival and textual investigation of Edith Head’s film costume designs in 1940s ‘film noir’
An Archaeological Exploration of Zaha Hadid’s Fonds through Reverse Digital Fragmentation
Storytelling in Libraries: Making Community
Economies of Natural History: Publishing Science in Victorian and Edwardian Britain
Travelling Circus Animals: traversing boundaries of performer, pet and property 1822-1925
Through an Embodied Practice of Stillness
Selling Shippam's: Food Consumption, Visuality and Post-War Culture
Scales of Change: Addressing Global Environmental Change through Transdisciplinary Sonic Practices
Women’s Movements in Africa: Digital Collective Identity Building and Offline Organising in Ethiopia and Kenya
The Geographical Museum: Making Knowledge through Objects
Epistemological Fusion in Ethiopian Education: Imagining a Decolonial Approach to Childhood
Bridging the gap between affective and linguistic processing in foreign language learners
Tending to Black Life, Death, and Resistance in the Community Archive: Artist as Archivist / Activist / Care-Worker
Empowering Displaced Children: Reimagining Urban Spaces with children
Dyeing to become whole: Indigo dyeing as embodied practice for a more sustainable future
The garden as a site to cultivate queer anti-racist communities
Comparativism, Agency, and Virtue: Making Hard Choices in Law
‘Cleaving’ Queer Aesthetics: Contemporary Indian Performance at the Intersections of Caste, Gender and Sexual Politics.
Reclaiming Nüshu: A participatory method to reinterpret a Women’s Hidden Script in Rural China
New Ears for A New Noise. Interrogating Smart City Noise Pollution Through Sound Art
Who are Cities For? Collaborative tactics and strategies challenging the neoliberal housing system
A political-philosophical approach to the historical-legal relationship between colonialism and international law as a means of analysing the legal exclusion of indigenous peoples and the despotic state, in West Papua.
Mediating Nostalgia: The Transnational Reception of Ottoman-themed Turkish TV Dramas in Pakistan
Photography by Train: New Leisure Experiences of Heritage in Britain, 1880s-1930s
The Nita Harvey Archive: Hidden History, Experience and Objectification in the 1930s Hollywood Star System.
Operation Bogeyman: The Folk Horror Landscape of 1970's Northern Ireland
Unattributable Briefs: Painting and Drawing Black Resistance Histories in the English speaking Caribbean, 1969-1974
Towards a ‘Theory of Taking’: Whiteness and Collectors of Ethnographic Objects in 19th Century North America
The First Step or Short Vision?: The Influence of the British Film Institute on British Women’s Filmmaking
‘What do women activists sound like?’ An exploration of women’s environmental activism in Europe through the lens of community radios
Tools for Persuasion: methods of storytelling in UK and US courtrooms
Pride, Passengers and Personnel: Collecting LGBTQ+ Experiences in and on London’s Transport in the 1970s and 1980s.
The “Way Out” (chulu): Minority Education, Youth Aspirations, and the Good Life in Southwest China
Changing Dynamics of Shi'ism in Kashmir: Commemorative practices, Identity and Transnational Influences.
Colonial modernity in Dongdaemun garment district and its fashion production (1910-2014)
Peripheral Visions: Reframing the margins in Film and Film Festival ecologies
An Analysis of Muhammad Marmaduke Pickthall’s Intellectual Thought in India; Exploring its Development and Contemporary Significance
Sound Art and Visual Culture: The Anti-Book Experiment in the Romanov Empire and the USSR, 1881-1932
(Re)constructing from the margins: The role of alternative media in building the narrative and memory of social movements
Auditioning the Sonosphere: Live Audio Streaming as Expanded Geo-Practice
Contesting Narratives: Young people’s perspectives of school labels and the culture of youth in education and society.
Adaptation of literature into opera as a reflection of Italian cultural imagination and identity.
Signing Sound: Deaf Gain within Inclusive Co-Created Audio Descriptions of Museum Experiences
Pride Flags and Queer Networks: The Making of the Transnational LGBTQ+ Community
Supporting Belarusian women to share experiences of gender-based violence and patriarchy using poetry: an autoethnographic approach
The Biocultural Diaspora of Tea in the 21st Century
Pluralist Exhibition Design Methods: anti-colonial graphic design in British ethnographic museums.
Colonial Rhizomes: Knowledge production of southern Africa through archives and displays in museums
Reaching to the stars: astrology and the body in the past, present and future
The Real Monster in ‘Sleeping Beauty’: An Examination of Aurora through the ‘Faces’ of the Monstrous-Feminine