Chinoiserie Outside China 1945-present: How have British Chinese people experienced and demonstrated their relationship to their Chinese heritage through dress?
Eadweard Muybridge: A study of his work and legacy through an inter-institutional evaluation of the Kingston Museum bequest and other collections
The BBC and European integration, c. 1957-1975
Distribution as Political Action: Investigation of the production, promotion and distribution of feminist moving-image/performative art practices in the UK 1979-present
Investigating ‘The Masculine Female Grotesque’ in Narrative and U.S. Women’s Prisons Through Orange is The New Black (2013-)
Priorities, inclusions and exclusions: Non-elite twentieth-century clothing in museum dress collections
In/visible dances: Commuters’ choreographies as social cartography
Operation Bogeyman: The Folk Horror Landscape of 1970's Northern Ireland
Conditions of Receptivity: Intimate, Indeterminate and Interminable Cinemas of Encounter
The System and Its Progeny: Stirner’s Insurrectionary Hegelianism and the Affirmation of Creative Individuality
The Violence of Vision: Wild Plakken and the Crisis of Dutch Political Identity, 1977–1996
Thinking Affectedly: The Question of Touch in Adorno’s Philosophy
New Ears for A New Noise. Interrogating Smart City Noise Pollution Through Sound Art
Dispossessing Bodies: Resisting the Violence of Property
Queer Theory’s Green and Grey: thinking queer absence through the nonsexual rural
Exploring the History of Black Women’s Mental Health Organising in Britain from the 1970s – Present Day
Queer as Friends: rewriting the platonic-romantic relationship binary between women
Remaking the World: Uses of the Imagination in the Cultural Production of Resistant Movements
Reasonable men might have acted likewise: a practice-based investigation of the Strangeways Prison protest
An Analysis of Muhammad Marmaduke Pickthall’s Intellectual Thought in India; Exploring its Development and Contemporary Significance
Changing Places: Evaluating the socio-cultural impact and experiential change of the new Museum of London in Smithfield
Aquinas and determinatio: an exemplary theory of precedent
The second wave of Arts and Crafts? Craft online: Amateurs, Influencers and Craftivists of Generation Craft
Making, Unmaking and Remaking History: Exhibition Programming at Chisenhale Gallery in the late 1980s
Offensive Speech, Fake News and the Brazilian ‘New Right’
Materiality in Comics - Reframing Sequential Function in Graphic Novels by Confronting the Page as Surface
From Hargeisa to London: A living sound archive of Somalis in Britain
Representations of Single Motherhood in British Cinema, 1945-1970
Examining the impact of multisensory language on perception and experience: how can botanic, horticultural or historic gardens use audio description to enhance access for all visitors?
Stories Rising to the Surface: Engagement with the Apna Heritage Archive and Punjabi Workers Collection
Decolonisation guidance and its impact on museum learning practice
The Shaheen Bagh Protests (15 December 2019 - 24 March 2020): Coloniality, Epistemic Resistance, and Decoloniality in Present-day BJP-led India
Curating Urban Futures: Urban Farming and Meanwhile Tactics in the Context of Urban Regeneration Strategies
PINNACLE (Promoting inclusive access, discoverability and use of British Library digital learning resources for young people)
Re-imagining liminal therapeutic landscapes
Pride Flags and Queer Networks: The Making of the Transnational LGBTQ+ Community
Gender representations in human trafficking in Italy and the UK nowadays: a rights approach
The cultural legacy of Paralympic media in Peru: Lessons from the Global South
Colonial Rhizomes: Knowledge production of southern Africa through archives and displays in museums
Evaluating brand activism and social change across stakeholders
Sound Art and Visual Culture: The Anti-Book Experiment in the Romanov Empire and the USSR, 1881-1932
Reconfiguring the boundaries of self and state in the PRC: Metaverse, Social Credit, and Ethnicity
Scales of Change: Addressing Global Environmental Change through Transdisciplinary Sonic Practices
(Re)constructing from the margins: The role of alternative media in building the narrative and memory of social movements
Resourcing Gypsy, Romany, Traveller trans youth in the UK: An exploration of intersectionality using heritage as a vehicle for empowerment
Screen-to-measure: A practice-based, archival and textual investigation of Edith Head’s film costume designs in 1940s ‘film noir’
Beyond The State: State Resistance & The Culture of Autonomy in Barbacha, Algeria
Exploring nature-fashion partnerships using collective crafting with Indian textile artisans
Inclusive Engagement Practice
The First Step or Short Vision?: The Influence of the British Film Institute on British Women’s Filmmaking
To what extent is the ‘public service’ intervention in UK broadcasting applicable to contemporary policy on digital platforms?
The garden as a site to cultivate queer anti-racist communities
Supporting Belarusian women to share experiences of gender-based violence and patriarchy using poetry: an autoethnographic approach
Auditioning the Sonosphere: Live Audio Streaming as Expanded Geo-Practice
‘What do women activists sound like?’ An exploration of women’s environmental activism in Europe through the lens of community radios
An Archaeological Exploration of Zaha Hadid’s Fonds through Reverse Digital Fragmentation
Comparativism, Agency, and Virtue: Making Hard Choices in Law
Storytelling in Libraries: Making Community
Revisiting Race and Thatcherism: the Second Life of the 1980-85 Uprisings on Screen
A political-philosophical approach to the historical-legal relationship between colonialism and international law as a means of analysing the legal exclusion of indigenous peoples and the despotic state, in West Papua.
Visualising intangible Sacred Spaces: the materialities and ephemerality of Orthodox Jewish ritual enclosures
Media representations and lived experiences of working-class women’s unpaid domestic labour
Representation of Central and Eastern European (CEE) female artists in the history of British exhibitions after 1989
Peripheral Visions: Reframing the margins in Film and Film Festival ecologies
Period Costume Making in British Art Schools from the late 1950s and its impact on British Television & Film Dramas
Towards a ‘Theory of Taking’: Whiteness and Collectors of Ethnographic Objects in 19th Century North America
On Our Own Behalf: Theory, Strategy, and Practice within the Disabled People’s Movement in Britain
Storytelling Personal Collections: A Tool to Dismantle the Concept of the ‘Other Audience’
Unattributable Briefs: Painting and Drawing Black Resistance Histories in the English speaking Caribbean, 1969-1974
The ‘Golden Chain’? - Tradition as a Philosophical Problem
Dyeing to become whole: Indigo dyeing as embodied practice for a more sustainable future
Who are Cities For? Collaborative tactics and strategies challenging the neoliberal housing system
Mediating Nostalgia: The Transnational Reception of Ottoman-themed Turkish TV Dramas in Pakistan
The Significance of Magazine Publishing for Black British Art
Translating place: orthography and the problem of place names at the Royal Geographical Society, 1830–1919
Latency in the Representation of Geopolitics and Power in the Photographic Work of Ursula Schulz-Dornburg
The Biocultural Diaspora of Tea in the 21st Century
Mapping Messengers: The work, urban mobility, and lived experiences of London motorcycle despatch riders, 1970 – 2000.
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Photography by Train: New Leisure Experiences of Heritage in Britain, 1880s-1930s
Adaptation of literature into opera as a reflection of Italian cultural imagination and identity.
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Dismantling modern-day slavery: Learning from the lives of indentured brick kiln workers in peri-urban Pakistan.
World Building in Time and Space: Open World Video Game Mechanics in Contemporary Art Practice
Economies of Natural History: Publishing Science in Victorian and Edwardian Britain
Duplicates, Dispersal and Disposal in Museums
Women’s Movements in Africa: Digital Collective Identity Building and Offline Organising in Ethiopia and Kenya
Pluralist Exhibition Design Methods: anti-colonial graphic design in British ethnographic museums.
The Geopower of Air and Fire: a Cultural Geography of Fiery Rituals in China
The Geographical Museum: Making Knowledge through Objects
![Zhiqian Zhao [Square]](/media/30054/zhiqian-zhao-square.jpeg)
The “Way Out” (chulu): Minority Education, Youth Aspirations, and the Good Life in Southwest China
Contesting Narratives: Young people’s perspectives of school labels and the culture of youth in education and society.
Empowering Displaced Children: Reimagining Urban Spaces with children
The Nita Harvey Archive: Hidden History, Experience and Objectification in the 1930s Hollywood Star System.
Pride, Passengers and Personnel: Collecting LGBTQ+ Experiences in and on London’s Transport in the 1970s and 1980s.
Tools for Persuasion: methods of storytelling in UK and US courtrooms