Naomi Dines
Re/materialising the imaginary artefact: exploring the role of digitisation, visualisation and materialisation in object-based art practice.
Re/materialising the imaginary artefact: exploring the role of digitisation, visualisation and materialisation in object-based art practice.
Immersive Theatre Process & Production: Developing a Capture Methodology for Archiving Digital Storytelling
The notational: mental health and female identity in the diary films of Anne Charlotte Robertson
Transnational filmmaking and national identity in contemporary Cuban cinema (2000-2020)
Designing for Dignity, Ownership and Representation: new approaches to the inclusivity of the homeless community.
Transforming through Cinema: An Interdisciplinary Approach to Reading Amy Greenfield’s Pioneering Films
Pages of Possibility: The photobook as a physical site for a regenerative relationship with the environment
Moving bodies: Exploring Empathy, Affect, and the Kinaesthesia in the Corporeal Surface
Developing semi-permanent design displays in an era of rapid climate change
Art Biennials: Towards an Alternative Curatorial Logic
Entangling Umwelten: Towards a New Ecology of Moving Images and Nonhuman Worlds
A practice-based autobiographical investigation of the fashion material culture of Caribbean female couturiers from the 1930s to the present day
I Woz Ere: An Intimate Look at the Forgotten Tower Blocks of the Edinburgh City Skyline
Crafting counter-hegemony: using porcelain to interrogate constructed ideologies of whiteness and empire
Grey Milk and Lost Kin: Re-sounding, Re-visioning, and Re-membering Trauma in the Scottish Gypsy Traveller Archives
Design practices and transgender agency in video games in independent and mainstream contexts (2005-2022)
Colonial Coral: Design for Decolonising More-than-Human Worlds in the Natural History Museum
Social Science Fiction the Alternative Reality
Sustainability in the Making: Craft Programmes for Socio-Ecological Change
Black, British and Feminist: The History and Legacy of Ceddo, Sankofa and the Black Audio Film Collective
Inferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices
Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland
Golden Age; On the contemporary agency of gold
Middle-class subjectivity and moral value in popular British screen fantasy
Human Hair as a Regenerative Material Resource: utilising protein fibre waste in the circular bioeconomy through interdisciplinary collaborative design practice
Art, resistance, and healing: on the potentials of using the Creative Change Laboratory (CCoLAB) among queer youth in Brighton
The War of Naming the Problem: Black Audio Film Collective and Political Aesthetics
The Weaponization of Beauty: British female film stars and the struggle for women’s agency 1938-1948
It's Not the End of the World: Nonlinear Time and Neurodivergent Making
Transnational Studies of Interior Design Practice in South Korea from the 1960s to the 1980s
Where are all the Lesbians? In search of Lesbian Lives in Museums.
An Indigenous gaze: looking through and envisioning contemporary Indigenous visual representations in the Andean region
Elves vs Trolls in Ukraine’s War - Fighting Disinformation with Interactive Documentary
Sensing Wishlists – A meta-design approach to the development of fashion consumption technologies
Between Tradition and Innovation: Women's Textiles in Venetia during the Fascist Era (1920s-1940s)
Weather as Witness: Political Ecologies of Southeast Asia through a Curatorial Lens
The Work of Art in the Age of Crisis: Interrogating the ‘Labour Turn’ in the Culture Industries.
Crafting a Nation: The role of Art, Craft, and Design in Constructing Post-war Italian Identities
Design Activism – Exploring Creative Repertoires for Public Participation
Death-style: An essay film investigation of 1980s images of gay male depravity through the lens of ‘queer negativity’
Radical Spiritual Collective: Spiritual Activism as Curatorial Collective Engagements with Diasporic Feminist Artistic Practices
Between Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice
Writing a lens: how might the formal structures of the film archive be subverted through fictioning within artist moving image?
Empathic Listening/Radical Listening: learning from feminist and decolonial contemporary arts practices through artistic research.
Ghosts of the Al-Ghaib : A participatory, audio-visual exploration of haunting in Palestine
Living Documents: Embodying the afterimage of art as an agent for new and divergent forms of exhibition documentation
Listening in Socially-Engaged Art: Artistic Strategies for Equitable Collaboration
Employing the materiality of clothed bodies to ask for change: the social and political weight of Greenham Women’s dress (1981-2000).