Holly Antrum
Writing a lens: how might the formal structures of the film archive be subverted through fictioning within artist moving image?
Writing a lens: how might the formal structures of the film archive be subverted through fictioning within artist moving image?
Social Science Fiction the Alternative Reality
Moving bodies: Exploring Empathy, Affect, and the Kinaesthesia in the Corporeal Surface
Crafting a Nation: The role of Art, Craft, and Design in Constructing Post-war Italian Identities
The Work of Art in the Age of Crisis: Interrogating the ‘Labour Turn’ in the Culture Industries.
Sustainability in the Making: Craft Programmes for Socio-Ecological Change
The Postatomic Ear: A practice-based study of sound and atmospheric effects in the Nuclear Age
Kew’s Imperial Archive: Cataloguing Economic Botany in the Miscellaneous Reports, 1841-1928
Re/materialising the imaginary artefact: exploring the role of digitisation, visualisation and materialisation in object-based art practice.
Teaching design as a way to reclaim freedom from within hostile environments
Middle-class subjectivity and moral value in popular British screen fantasy
Black, British and Feminist: The History and Legacy of Ceddo, Sankofa and the Black Audio Film Collective
Like Someone Learning: Drawing and writing an autobiography of encounters with plants - a decolonial enquiry responding to climate emergency
Designing for Dignity, Ownership and Representation: new approaches to the inclusivity of the homeless community.
The War of Naming the Problem: Black Audio Film Collective and Political Aesthetics
Immersive Theatre Process & Production: Developing a Capture Methodology for Archiving Digital Storytelling
The Weaponization of Beauty: British female film stars and the struggle for women’s agency 1938-1948
Transforming through Cinema: An Interdisciplinary Approach to Reading Amy Greenfield’s Pioneering Films
Ghosts of the Al-Ghaib : A participatory, audio-visual exploration of haunting in Palestine
Human Hair as a Regenerative Material Resource: utilising protein fibre waste in the circular bioeconomy through interdisciplinary collaborative design practice
I Woz Ere: An Intimate Look at the Forgotten Tower Blocks of the Edinburgh City Skyline
Listening in Socially-Engaged Art: Artistic Strategies for Equitable Collaboration
Radical Spiritual Collective: Spiritual Activism as Curatorial Collective Engagements with Diasporic Feminist Artistic Practices
A practice-based autobiographical investigation of the fashion material culture of Caribbean female couturiers from the 1930s to the present day
It's Not the End of the World: Nonlinear Time and Neurodivergent Making
Elves vs Trolls in Ukraine’s War - Fighting Disinformation with Interactive Documentary
Sensing Wishlists – A meta-design approach to the development of fashion consumption technologies
Developing semi-permanent design displays in an era of rapid climate change
Colonial Coral: Design for Decolonising More-than-Human Worlds in the Natural History Museum
Grey Milk and Lost Kin: Re-sounding, Re-visioning, and Re-membering Trauma in the Scottish Gypsy Traveller Archives
Crafting counter-hegemony: using porcelain to interrogate constructed ideologies of whiteness and empire
Transnational filmmaking and national identity in contemporary Cuban cinema (2000-2020)
Design Activism – Exploring Creative Repertoires for Public Participation
Living Documents: Embodying the afterimage of art as an agent for new and divergent forms of exhibition documentation
Design practices and transgender agency in video games in independent and mainstream contexts (2005-2022)
Entangling Umwelten: Towards a New Ecology of Moving Images and Nonhuman Worlds
An Indigenous gaze: looking through and envisioning contemporary Indigenous visual representations in the Andean region
Death-style: An essay film investigation of 1980s images of gay male depravity through the lens of ‘queer negativity’
Pages of Possibility: The photobook as a physical site for a regenerative relationship with the environment
Art, resistance, and healing: on the potentials of using the Creative Change Laboratory (CCoLAB) among queer youth in Brighton
Empathic Listening/Radical Listening: learning from feminist and decolonial contemporary arts practices through artistic research.
Art Biennials: Towards an Alternative Curatorial Logic
Employing the materiality of clothed bodies to ask for change: the social and political weight of Greenham Women’s dress (1981-2000).
Inferred Publics and Interfering Voices: exploring implication as a critical tool within contemporary art and performance practices
Where are all the Lesbians? In search of Lesbian Lives in Museums.
Transnational Studies of Interior Design Practice in South Korea from the 1960s to the 1980s
Sites of Art Writing: Tonalities in ‘Post-Conflict’ Northern Ireland
Golden Age; On the contemporary agency of gold
Between Art and Writing: Translating meaning through the ‘text-as-host’ in contemporary art writing practice
The notational: mental health and female identity in the diary films of Anne Charlotte Robertson
Weather as Witness: Political Ecologies of Southeast Asia through a Curatorial Lens
Between Tradition and Innovation: Women's Textiles in Venetia during the Fascist Era (1920s-1940s)