Catherine Love
‘A design for doing’: The Status of the Text in Contemporary British Theatre
‘A design for doing’: The Status of the Text in Contemporary British Theatre
Towards a Psychedelic Topography of Gothic Rock
Remants of Khiam. Commemorating the History of a Devastated Detention Centre in Southern Lebanon. Testimony, Memorial, Vestiges
Dancing as work and dancing as leisure in works by professional artists performed in professional contexts by ‘non-professionals’
Ecoacoustics: ecology and environmentalism in contemporary music and sound art
Take your Harem Pants Off, Baby: Ethnicity, Modernity and Tradition in the Musical Practice of the Bosnian Krajina
Deep Listening: the strategic practices of female experimental composers post 19
Sound Design for the Contemporary Novel: Applying the Poetics of John Cage to Digital Prose Fiction
Music, musicology and anti-capitalism in the twenty-first century
Diffracting the doldrums: performing feminist new materialisms in the everyday
Representations of birds in decorative designs for the English domestic interior 1851-1914, with special reference to the work of C.F.A. Voysey
A Sense of Meaning: Applications of Embodied Cognition to Art Models
'Boat of Letters' and the Poetics of Reticence: A Creative and Critical Thesis
Theatre Design in Regional Theatre: Realising the Visual at The Liverpool Everyman and Playhouse 2003 – 2015
Textures of Fixation: The Viscous Substance in European Culture since 1850
The Creation of Resistant Environments for Real-Time Improvisation with Electronics as a Compositional Strategy
Electric Storm: Inventions, Systems and Techniques in Electronic Composition (1950-80s)
Professional Women Interior Decorators, 1874 to 1900
A Persistent Page: Exploring the relationship between page and text in artistic-poetic practice.
Understanding power in post-millennial rap and metal
Allo Paris: the seen, the scene and the ob-scene. Magazines, eroticism and a New Vision, 1931-1939
The Work of Wandering: A new paradigm for dance practice and knowledge production
What do the English dance? An ethnographic study into English social folk dancing as corporeal and cultural phenomenon
Corder: Poems for Voyager 1 and life beyond the heliosphere
Late twentieth century reworkings of nineteenth-century lieder
Proposing alternative after-lives for costumes of the dance stage
‘Outsider’ Theatre Criticism - Investigating the evolution of the ‘outsider’ theatre review and its contribution to the arts
‘The Fiddling Footman’: The Geography and Sociology of Music-Making among English and Welsh Servants in the Long Eighteenth Century
Taking Performance Seriously: an investigation into young people’s performance and radical citizenship in East Africa
Ninette de Valois: a re-examination of her early career in British theatre, her formation and leadership of the Vic-Wells Ballet School and Company, between 1918-40
Alternative Methods of Supporting Artists in the Commercial Sector
Retouching The Archive: Gender and Class in Early Photography in Scotland
An investigation into artists’ collaborations with modernist new town masterplanners in the UK between 1955 and 1975, and a curatorial project initiating collaborative practices between artists and masterplanners today
Disorder Order Disorder: A creative-critical essay study of contemporary psychiatric identities
We Belong to the Streets - a YA novel about growing up in the East End in the turbulent 1880s
Space, Body, Costume: a re-framing of costume as a spatial and temporal dynamic in contemporary ballet through a philosophical reading of spatial relations and the body
On the indexical line: a dialogic study of 1960s abstract art through the scientific imagery of the photographic innovator Etienne-Jules Marey (1830-1904)
Post-human voices: sonic politics of speech synthesis
Exploring the role of Music Therapy in enhancing the lives of children with Neuronal Ceroid Lipofuscinosis (Batten Disease)
Nigel Henderson and the Art of Work, 1949-60
From non-time to the presence of a timescape: transformations of the experience of contemporaneity in durational theatre and performance.
Representing Queer Adolescence: A Critical and Creative Investigation
Writing the mind, re-writing tragedy: how memory shapes our ends
Practice, an Exercise in Living
Writing for performance as an ecological practice in a postmedial age
Performative Imperceptibility - Deleuze, Dramaturgy, and Performance Philosophy
Tropical Modernism: The First Biennial de São Paulo 1951
Musical Texture: A Historical and Analytical Approach in Relation to Music by Alban Berg and Igor Stravinsky
Speaking With: New forms of notation for scoring excess
Ancient Language, Landscape and Hybridity in Experimental Poetic Practice
What does it mean to have a musician’s ear? Listening to musicians
Improvising Moll - staging dialogues between queer pasts and presents
Caring and Sharing: Rethinking Community Dance as a Curatorial Practice
Denise Wren and the Knox Guild of Design and Craft: Shifting the story of interwar studio ceramics from pot to process
Xenotemporality: New Understandings of Non-human Time and their Impact for the Anthropocene
Concerts, Commerce and Charity in Georgian London
Counter-histories of Queer-feminist Live Art: A Transversal Cartography
Hauntings and herstories: Catalysing the embodied archive of feminist live art practices from 1980s and 1990s Ireland
The Language of Birds: lucky rituals and nature