Ursula Clayton
'Time's Flies': Shakespeare's Parasites
'Time's Flies': Shakespeare's Parasites
The Anthrodecentric Lyric: Zen Buddhism and Eco-Ontology in 20th century American Verse
All Women in Greek Myth: Finding Inclusive Feminist Theoretical Frameworks for Greek Mythology in Reception and Popular Culture
Everyday Trauma and Late-Capitalist Symptoms: 'Lost Footage' in Late Twentieth-Century French Fiction
Degenerate Criminals and Criminologist Detectives: Late-19th Century Gothic and Crime Fiction in Italy and Great Britain
Assimilation or Resistance: The Medicalised Body in 21st Century
Crises of Citizenship in Contemporary Fiction
Shakespeare’s ‘Oriental’ Objects: Race and Material Culture in Early Modern Drama
POOL Group and the Modernist Ciné-novel
Sugar and Femininity in Early Modern Drama
Belonging in the City: Poetics of Place as Acts of Resistance Against Hyper-Commodification
Raising the voice and visibility of independent Black publishers
Tentacular Bodies, Matters, Times: Posthuman entanglements and oceanic imaginaries in 21st century SF
“Millimetre”: An Interdisciplinary and Ecocritical Creative Writing Project
Memorialisation and Posthumous Curation: The Displacing of the Victorian Voice, Corpse and Corpus in an Evolving Heritage Sector
An evaluation of audiodescription as a means of encouraging autistic spectrum disorder audiences to access and engage with the complex emotions portrayed in audiovisual texts
Vision, History, Episteme: William Blake and Philip K. Dick’s Transformations of Modern Reality
Play for Today at 50: Contexts and Legacies
The ‘Tyrant Rapist’, Discourses of Matrimony and the Persistence of Patriarchal Political Ideologies in Early Modern Literary and Artistic Fiction
Messianic Adaptation: Pier Paolo Pasolini’s Script for ‘San Paolo’’
Masculinity under the Microscope: Nineteenth-Century Naturalism’s Feminine Frame
Revolting Reflections: Representations of Eating Disorders and Female Thinness in Twentieth Century Women’s Writing
Complex machines: representations of technology in early twenty-first century fiction
Oral self-translation of stand-up comedy: from mental text to performance and interaction
Virago and the Modern World: From Second Wave Feminism to Corporate Publishing
Female Cross-Dressing, Genre and Popular Literary Forms from 1830 to 1900
Blurring the Boundaries: Nuns, Early Modern Women and Writers
The Country Cottage in Nineteenth-Century Literature
“Making up (for) lost heritage: an ethnographic study of dance, language and identity in London’s Greek Cypriot diaspora”
Chrysalis Boy - An Autoethnographic Investigation Of The Workings Of Exclusion
Diverse Shakespeare: New Writing from Shakespeare's Globe
Enduring Eden: Living the Anthropocene in Contemporary Californian Fiction
MVBs, Porous Books, and Feedback Loops
William Blake and London: The Artist Visualising Jerusalem
Using reflective sociocultural e‐portfolios in a non‐immersion language learning context
Confrontation with Catastrophe: Shakespeare and Appropriation in the Drama of David Rudkin, Howard Barker and Sarah Kane.
Beside Themselves: Shakespeare's Ecstatic Subjects
Second Cities: An Urban Aesthetics of Violence and Politics in Border Literature
The Deformed Transformed: Congenital deformity in nineteenth-century narratives
Monstrous resurrections: Frankenstein’s legislative legacy
A Typology for Kypchak Auxiliary and other Multi-Verb Constructions
‘Poverty Porn’ in Nineteenth-Century Fiction: Spectacle, Space, Surveillance and the Victorian Imagination
The Listening: fictionalising fugitive voices and fragmented lives in the slavery archive
What the women have to say: women’s perspectives on language, identity and nation in Cataluña
Morphological clashes: a typological perspective
Object dialogues: Approaches to the use of museums objects in language acquisition and intercultural dialogue with ESOL learners (English for Speakers of Other Languages)
Affective Scribal Activity in Medieval Devotional Writing, 1300-1500
Clothing matters: Uncovering overlooked aspects of the Holocaust through Charlotte Delbo’s literary representations of garments
Aphasia, Reassembly and Resemblance in the Black British poetry of the 21st Century
“We Run Tings, Tings Nuh Run We”: Rewriting Caribbean Bodies and the Environment in Anglophone Caribbean Literature, 1970-
An Interdisciplinary Analysis of the lifeworld changes experienced by people whose HIV narratives are published on the Terrence Higgins Trust website
Past and Pre-Raphaelite Present: Elizabeth Siddal’s Retellings of Inherited Stories
SOUNDING OUT IDENTITIES OF THE ARTIFICIAL VOICE
A study into the narrative techniques used to convey non-physical childhood sexual abuse and trauma in contemporary Western fiction
Re-storying the city: applying urban perspectives to eco-storytelling
The construction of female consciousness in Philip Massinger's Dramatic Canon
Gothic Faultlines: Multimodal American Literature and the Collective Reading Enterprise
Subtitling live events through respeaking - increasing accessibility for all
The Changing Meaning of Epic, 1675-1795
An Exploration of the London Spoken Word Poetry Community
Collective Space: Feminist Film and Video Collaborations, Collectives and Organisations, 1970-1986 and their contemporary relevance.
Mia san Mia and Bergkamp in Marseille: Language and identity in football locales
The Semiotic Subject: Shakespeare and the Early Modern Philosophy of Language
Beyond the Resistance: Second World War Memory and Forgetfulness in Italian Novels (1960-2000)
Victorian Cutlery: Objects, Power, and Representation in Nineteenth-Century Literature
Writing Socialist Feminism: Women Activists and the Novel, 1887-1908
The ‘Energy Unconscious’: Natural Resources and the American Novel, 1846-1979
How successfully do different kinds of storytelling engage audiences with the complexities of the Anthropocene?
Sounds from Outside: Mapping Transnational Communities in Contemporary Experimental and Exophonic Poetry
Double Wound: Writing (Nepali) Women, Sexual Violence and Trauma