Adele Tulli
Visible Resistance: Reframing Gender in Feminist and Queer Film and Video
Visible Resistance: Reframing Gender in Feminist and Queer Film and Video
The Queering of Photography: A Generative Encounter
What is it if not right here? Questioning the sculptural object's constitution in representational media
An investigation into the aesthetics of community, collaborative and collective filmmaking in the UK focusing on the period 1968-1981
Defining new modes of architectural representation and proposition for politically contested architectural sites.
Involuntary and Irregular: An interdisciplinary study of trembling, the trembling body and narratives of trembling through moving image practice
Documentary films and National Identity: The use of State-funded Newsreels in the Creation of a New National identity in the Islamic Republic of Iran during the Iran-Iraq war.
Shimmering the Screen - Surface tension and perpetual vacillation in the digital image
The immaterial Design Practice of Insurance from 1680 to the Present
I am a Stylus: Play, Erase, Replay and Overdub as Strategies for Contemporary Fine Art Practice
Making reading fleshly: how can the body become a reading tool in the cognitive process of constructing meaning through movement, emission and mapping explored through interactive art works
Vogue as Historical Code – Using moving image to explore how 20th Century history is materialised through fashion
Constructing the architectural moving drawing: transdisciplinary practices between architecture and artists’ film
Between realism and the sublime: History in Cinema and Painting
Close to the Machine: Composing Digital Materiality through a Sonic Archive Practice
Building a Nation: Consumer Culture and Design in SFR Yugoslavia in the 1970s
Embodied perception and experience of scenography in live arts practices
Portals in the Urban Terrain: excavating the virtual ruins of rendered architectural propositions
Knowing the Underground: Science, Exploration and Embodied Engagements with Subterranean Spaces.
Performing ‘Womens Work’: what constitutes a feminist performance score and how does it extend our understandings of contemporary art practices?
The Bombshell Assembly Line: military-industrial materials research and the syntheticisation of women’s bodies in the USA. 1939-present
Unruly Encounters: Restaging Images of Drone Warfare through an Embodied Art Practice.
An Artist Explorer in Mathematics: Investigating Spatial and Sculptural Elements in the Communication of Topology
Activating the Document: strategies of critical proximity in archive based moving image work
Museums of Infinite Relations: artist's spaces, worlds and models of the universe
Queering of Memory/Temporality/Subjectivity: Subversive Methods in Audiovisual Practice
Expanded documentary, real-time news and the historicisation of the present
The Science of Ghosts: Breaching the Psycho-Cinematic Frame
Anamersion: Traversing Structurations of Organismic and Technological Individuation with and through Unica Zürn, Kathy Acker and Porpentine Heartscape
Archive Sub-versions: Photography, the Accident, and the Logic of Production
Strategies of resistance in the digital space: a feminist performance
Slow Works - Deceleration as Curatorial Paradigm
Active bodies difficult objects: The language of health and wellbeing in a new bio-political era
The Italian movement of Kinetic and Programmed Art: a relationship between Art and Science
Aesthetics of Water - Re-calibrating the perception of glacial water through audio-visual contemporary art practice
Exhibition design as an interdisciplinary practice for research and contamination: The context of Italian designers, 1960-1980
Les Ballets 1933: collecting, exhibiting and performing the avant-garde
Africandescence: How does a Sankofa aesthetic function in a British black female reading of avant-garde films?
Cool Sex (Sexe Cool); a practice-based investigation of autobiography and technology, through a century of feminist literature.
Feminine Singular: Post-Feminist Re-viewings of the Nouvelle Vague through Paule Delsol’s Lost Work
Attending to the physical body as material, a discourse on corporeal representation through the interdisciplinary field of dance. How can a somatic inquiry produce new images?
Sylvan Sounds: Exploring the Acoustic Forest through Visual Fine Art
Hearing Plurality in Scripture: Using Sound Art Practice to draw out pluralities implicit in the ritual public reading of Christian Scripture
Listening across history: Partition, coloniality and the oral archive
Tangible Changes in Intangible Cultural Heritage Preservation: Using experience-based co-design to inform cultural policy-making practice.
Carousel of Consumption: design and meaning of retail spaces as platforms for value co-creation in circular fashion systems