Adam Phillips
Embodied Authority: Biopolitics, Representation and Popular Assembly
Embodied Authority: Biopolitics, Representation and Popular Assembly
Embodied perception and experience of scenography in live arts practices
Allo Paris: the seen, the scene and the ob-scene. Magazines, eroticism and a New Vision, 1931-1939
ARV Gay Bodies: The Production of Sexual Subjectivities in the Realm of HIV prevention
Morphological clashes: a typological perspective
The Work of Wandering: A new paradigm for dance practice and knowledge production
What do the English dance? An ethnographic study into English social folk dancing as corporeal and cultural phenomenon
Corder: Poems for Voyager 1 and life beyond the heliosphere
Virago and the Modern World: From Second Wave Feminism to Corporate Publishing
Portals in the Urban Terrain: excavating the virtual ruins of rendered architectural propositions
Knowing the Underground: Science, Exploration and Embodied Engagements with Subterranean Spaces.
Late twentieth century reworkings of nineteenth-century lieder
An analysis of the semiotics of provenance information in establishing symbolic and economic value for objects within the Near Eastern antiquities market
The Time of Information: A Human-technical Relation
Second Cities: An Urban Aesthetics of Violence and Politics in Border Literature
Locating stories of time, memory and place in urban activism in Beirut
Scenarios of encounter: place, performance, and commemoration in Tūranganui-a-Kiwa and London
The Genesis of Disjunction
Performing ‘Womens Work’: what constitutes a feminist performance score and how does it extend our understandings of contemporary art practices?
The Bombshell Assembly Line: military-industrial materials research and the syntheticisation of women’s bodies in the USA. 1939-present
Object dialogues: Approaches to the use of museums objects in language acquisition and intercultural dialogue with ESOL learners (English for Speakers of Other Languages)
The Changing Meaning of Epic, 1675-1795
Unruly Encounters: Restaging Images of Drone Warfare through an Embodied Art Practice.
An Artist Explorer in Mathematics: Investigating Spatial and Sculptural Elements in the Communication of Topology
Victorian Cutlery: Objects, Power, and Representation in Nineteenth-Century Literature
Rethinking Political Subjectivity: Immigrant Activism during the Greek Crisis (2008-15)
Religion as Magical Realism: How can writers use the literary techniques of magical realism to explore religion in television drama?
Silk in Modern Cambodia: Weaving a History of Survival (1850s - 2010s)
Proposing alternative after-lives for costumes of the dance stage
‘Outsider’ Theatre Criticism - Investigating the evolution of the ‘outsider’ theatre review and its contribution to the arts
‘The Fiddling Footman’: The Geography and Sociology of Music-Making among English and Welsh Servants in the Long Eighteenth Century
Activating the Document: strategies of critical proximity in archive based moving image work
Taking Performance Seriously: an investigation into young people’s performance and radical citizenship in East Africa
Being “Gurkha”, Becoming British: Fashion, Creativity and Diaspora Identity Formation Amongst Young Nepali Migrants
Inside, Outside: Contested Spaces in Young Adult Literature set in Israel/Palestine
Museums of Infinite Relations: artist's spaces, worlds and models of the universe
The Impact Of Cultural Policies in New Towns: An Urban Ethnomusicological Case Study Of Cergy-Pontoise (1965-Present Day)
Degenerate Criminals and Criminologist Detectives: Late-19th Century Gothic and Crime Fiction in Italy and Great Britain
Queering of Memory/Temporality/Subjectivity: Subversive Methods in Audiovisual Practice
What is an intellectual? Foucault, Gramsci and social function