TECHNE Students list
Filter current students by academic theme
A B C D E F G H I J K L M N O P R S T U V W X Y Z
Helene Abiraad
Locating narratives of memory in social activism in post-war Lebanon.
University of Brighton College of Arts and Humanities
2016 -
Denise Ackerl
Strategies of resistance in the digital space: a feminist performance
University of the Arts, London
2017
Anna Adahl
The aesthetics and politics of crowd simulations generated by computational software and algorithms.
Royal College of Art, London
2017
Melissa Addey
Critical element: Re-imagining the Yuan Ming Yuan: the role of fiction in reconstructing historical artefacts and the subsequent impact of this fiction on the historical novel. Creative element: The Forbidden Palace, a historical novel set in the Yuan Ming Yuan
University of Surrey
2016 -
Alix Agret
Allo Paris: the seen, the scene and the ob-scene. Magazines, eroticism and a New Vision, 1931-1939
Royal College of Art, London
2016 -
Jennifer Allan
Fog Tropes: The social and cultural history of the foghorn 1853 to the present day
University of the Arts, London
2015 -
Jeremiah Ambrose
Using non-haptic interaction and virtual reality immersion to explore the generative potential of interactive film.
University of Brighton College of Arts and Humanities
2015 -
Megan Archer
A critical history of logistics: digitised life as a logistical operation
University of Brighton College of Arts and Humanities
2015 -
Edward Armston-Sheret
‘Wild things in wild places’: British cultures of extreme exploration, 1851–1913
Royal Holloway, University of London
2017
Irene Artegiani
Machine Translation and multilingual subtitling: the role of post-editors in the creative industries.
University of Roehampton, London
2017
Elizabeth Atkinson
Contact Zones: Processes between nonhumans and humans in contemporary art
Royal College of Art, London
2016 -
Rebecca Atkinson
Exploring the role of Music Therapy in enhancing the lives of children with Neuronal Ceroid Lipofuscinosis (Batten Disease)
University of Roehampton, London
2017
Judah Attille
Africandescence: How does a Sankofa aesthetic function in a British black female reading of avant-garde films?
University of the Arts, London
2018 -