Techne Students list
Filter current students by academic theme
- Art and design
- Culture and communications
- Histories and philosophies
- Languages and literatures
- Media and performance arts
A B C D E F G H I J K L M N O P R S T U V W X Y Z
Helene Abiraad
Locating narratives of memory in social activism in post-war Lebanon.
University of Brighton College of Arts and Humanities
2016 -
Denise Ackerl
Strategies of resistance in the digital space: a feminist performance
University of the Arts, London
2017
Anna Adahl
The aesthetics and politics of crowd simulations generated by computational software and algorithms.
Royal College of Art, London
2017
Melissa Addey
Critical element: Re-imagining the Yuan Ming Yuan: the role of fiction in reconstructing historical artefacts and the subsequent impact of this fiction on the historical novel. Creative element: The Forbidden Palace, a historical novel set in the Yuan Ming Yuan
University of Surrey
2016 -
Simon Aeppli
Operation Bogeyman: The Folk Horror Landscape of 1970's Northern Ireland
University of Brighton
2019
Alix Agret
Allo Paris: the seen, the scene and the ob-scene. Magazines, eroticism and a New Vision, 1931-1939
Royal College of Art, London
2016 -
Kariima Ali
Exploring the History of Black Women’s Mental Health Organising in Britain from the 1970s – Present Day
University of Roehampton, London
2020
Edward Armston-Sheret
‘Wild things in wild places’: British cultures of extreme exploration, 1851–1913
Royal Holloway, University of London
2017
Irene Artegiani
Machine Translation and multilingual subtitling: the role of post-editors in the creative industries.
University of Roehampton, London
2017
Rebecca Atkinson
Exploring the role of Music Therapy in enhancing the lives of children with Neuronal Ceroid Lipofuscinosis (Batten Disease)
University of Roehampton, London
2017
Elizabeth Atkinson
Contact Zones: Processes between nonhumans and humans in contemporary art
Royal College of Art, London
2016 -
Judah Attille
Africandescence: How does a Sankofa aesthetic function in a British black female reading of avant-garde films?
University of the Arts, London
2018 -