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Operation Bogeyman: The Folk Horror Landscape of 1970's Northern Ireland
Xenotemporality: New Understandings of Non-human Time and their Impact for the Anthropocene
Putting the Accessible Filmmaking Model into Practice: An Exploration of Media Accessibility and Translation as a Collaborative Process
Aphasia, Reassembly and Resemblance in the Black British poetry of the 21st Century
Concerts, Commerce and Charity in Georgian London
Designing Sustainable Food Futures: a design anthropological approach to cultural value and culinary capital in shaping ‘sustainable’ diets.
A poetry of resistance: the Santiago de Cuba carnival as transformative performance art and archive.
Visualising intangible Sacred Spaces: the materialities and ephemerality of Orthodox Jewish ritual enclosures
Counter-histories of Queer-feminist Live Art: A Transversal Cartography
Empire, Collusion, Terror and Anglo-Irish Relations, 1966-1998.
Displacement and Death: Comparative Questions of Aesthetics, Economics and Personhood in the (Memorial) Art of Lampedusa and Venezlombia 2008-2018
Play for Today at 50: Contexts and Legacies
Distribution as Political Action: Investigation of the production, promotion and distribution of feminist moving-image/performative art practices in the UK 1979-present
Priorities, inclusions and exclusions: Non-elite twentieth-century clothing in museum dress collections
Unpacking tactility: the representation of tactile meanings in current packaging design practices and its implications for future-oriented design
An Exploration of Spoken Word Poetry, its Communities and Digital Media
2019
The ‘Tyrant Rapist’, Discourses of Matrimony and the Persistence of Patriarchal Political Ideologies in Early Modern Literary and Artistic Fiction
Refugee Art Dealers in London: New Artists, Networks and Approaches, 1933-1960
Craft in Makerspaces: The Potential for Social Change for Sustainability
The professionalisation of floral design in London 1935 to 1960
In/visible dances: Commuters’ choreographies as social cartography
Diagnosing Gender: Queer subjectivities and technologies of embodiment
Conditions of Receptivity: Intimate, Indeterminate and Interminable Cinemas of Encounter
Art Biennials: Towards an Alternative Curatorial Logic
Writing Socialist Feminism: Women Activists and the Novel, 1887-1908
The Language of Birds: Representing beyond-human communication, mediated through the lacerated body
Narratives of home: Exploring the practice of space in socially engaged theatre as a means of resisting gentrification and displacement
Hauntings and herstories: Catalysing the embodied archive of feminist live art practices from 1980s and 1990s Ireland
Migrant Women Negotiating Difference, Borders and Work: Turkish, Kurdish Women in Hackney, 1980 to 2018
Quality of Interlingual Subtitling in the Streaming Era: Social, Process and Product Quality in Netflix
Bringing Theatre Home: an investigation into the socio-spatial implications of performance practices in domestic settings
Biography and Fashion Collections: Developing a dress-specific acquisition and cataloguing methodology using the Francis Golding Collections.
Acts of hospitality, the role of ‘guest’ and ‘host’ as art practice.
Empathic Listening/Radical Listening: learning from feminist and decolonial contemporary arts practices through artistic research.
The ‘Energy Unconscious’: Natural Resources and the American Novel, 1846-1979
Feeding the city: Integrated approaches to urban foodways and identities in Roman London
Fashion and Self-Fashioning: Queenly Sartorial Bodies in England and France, 1486-1603
Can the Grenfell Tower fire constitute a State Crime?
British board games and the ludic imagination: c.1860-1960
Investigating ‘The Masculine Female Grotesque’ in Narrative and U.S. Women’s Prisons Through Orange is The New Black (2013-)
Strange Case of Robert Louis Stevenson and 'Tusitala': Ethnography and the Politics of Genre
Peripheral Visions: Reframing the margins in Film and Film Festival ecologies
“Millimetre”: An Interdisciplinary and Ecocritical Creative Writing Project.
Crafting Everyday Fashions in the Twentieth Century: An analysis of handmade womenswear and accessories in the Worthing Museum costume collection
Collection to Source: Cosmology and ethnobotanical artefacts of the Northwest Amazon.
“A terribly difficult decision to make”: The memory of Second World War conscientious objection in Britain since 1945
Latency in the Representation of Geopolitics and Power in the Photographic Work of Ursula Schulz-Dornburg
How successfully do different kinds of storytelling engage audiences with the complexities of the Anthropocene?
Tangible Changes in Intangible Cultural Heritage Preservation: Using experience-based co-design to inform cultural policy-making practice.
A realist philosophy of time between physics and metaphysics.
Kew’s imperial archive: Cataloguing Economic Botany in the Miscellaneous Reports, 1841-1928
Queer, crip live art in the post ‘trans tipping point’ era: an archive of affect
The geography of garments: cartographies of London’s fashion industry from 1984 onward.
Reclaiming the city through street art: Street art as an agent of social change in two South American cities
Flipped Hierarchies: Exploring Narrative Metalepsis As A Radical Critical Tool Through Artists’ Moving Image Practice
Locating the Function of Theory in New Institutionalism: The Case of MACBA