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TECHNE Students 2018-19


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Dana-Loreen Alex

Neuro-Gothic: a new history of madness

Kingston University, London

2018 -  

 

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Holly Antrum

Writing a lens: how might the formal structures of the film archive be subverted through fictioning within artist moving image?

Kingston University, London

2018 -  

 

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Judah Attille

Africandescence: How does a Sankofa aesthetic function in a British black female reading of avant-garde films?

University of the Arts, London

2018 -  

 

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Heather Ballantyne

Revolting Reflections: Representations of Eating Disorders and Female Thinness in Twentieth Century Women’s Writing

University of Surrey

2018 -  

 

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Juliette Blightman

Cool Sex (Sexe Cool); a practice-based investigation of autobiography and technology, through a century of feminist literature.

Royal College of Art, London

2018 -  

 

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Lucía Camacho Acevedo

Musical Texture: A Historical and Analytical Approach in Relation to Music by Alban Berg and Igor Stravinsky

Royal Holloway, University of London

2018 -  

 

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Sunil Chandy

Hearing Plurality in Scripture: Using Sound Art Practice to draw out pluralities implicit in the ritual public reading of Christian Scripture

University of the Arts, London

2018 -  

 

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Vicens Colomer

"Using reflective sociocultural e‐portfolios in a non‐immersion language learning context:

University of Roehampton, London

2018 -  

 

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Tim Cowbury

Spectacles against The Spectacle: Is a new politics of paradox emerging in British experimental theatre of the 2010’s?

Royal Holloway, University of London

2018 -  

 

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Stephanie Dieckvoss

Art fairs and power: an investigation into the post-war history of art fairs from radical beginnings to consolidations of globalised power

Kingston University, London

2018 -  

 

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Katie Docwra

Feminine Singular: Post-Feminist Re-viewings of the Nouvelle Vague through Paule Delsol’s Lost Work

Royal Holloway, University of London

2018 -  

 

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Georg Doecker

Practice, an Exercise in Living

University of Roehampton, London

2018 -  

 

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Livia Dubon-Bohlig

Italian Blackness: Decolonising the former Museum of the Colonies

Kingston University, London

2018 -  

 

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Jihane Dyer

Wearing the City: Fashion and clothing in the curation of urban history.

Royal Holloway, University of London

2018 -  

 

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Nour El Gazzaz

Shakespeare’s ‘Oriental’ Objects: Race and Material Culture in Early Modern Drama

Royal Holloway, University of London

2018 -  

 

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Rowan Evans

Ancient Language, Landscape and Hybridity in Experimental Poetic Practice

Royal Holloway, University of London

2018 -  

 

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Andrea Foffa

Exhibition design as an interdisciplinary practice for research and contamination: The context of Italian designers, 1960-1980

Kingston University, London

2018 -  

 

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Elizabeth Fort

Caring and Sharing: Rethinking Community Dance as a Curatorial Practice

University of Roehampton, London

2018 -  

 

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Genevieve Fox

Writing the mind, re-writing tragedy: how memory shapes our ends

University of Surrey

2018 -  

 

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Marita Fraser

Speaking With: New forms of notation for scoring excess

Royal College of Art, London

2018 -  

 

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Mayra Martin Ganzinotti

Moving bodies: Exploring Empathy, Affect, and the Kinaesthesia in the Corporeal Surface

Royal College of Art, London

2018 -  

 

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Sarah Grange

Improvising Moll - staging dialogues between queer pasts and presents

University of Brighton

2018 -  

 

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Keira Greene

Choreographic Strategies in Moving Image Practice. Task-based improvisation and Somatic Inquiry

Kingston University, London

2018 -  

 

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David Gyorfi

A Typology for Kypchak Auxiliary and other Multi-Verb Constructions

University of Surrey

2018 -  

 

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Caroline Hamilton

Les Ballets 1933: collecting, exhibiting and performing the avant-garde

University of Brighton

2018 -  

 

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Ruth Hansford

What does it mean to have a musician’s ear? Listening to musicians

University of Surrey

2018 -  

 

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Matt Hare

Measurement, invariance and representation in Cavaillès, Desanti and Vuillemin

Kingston University, London

2018 -  

 

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Polly Hember

POOL Group and the Modernist Ciné-novel

Royal Holloway, University of London

2018 -  

 

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Jane Iremonger

Queering Aphra Behn

University of Brighton

2018 -  

 

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Toyoko Ito

Sagacho Exhibit Space: analysing innovations in art, systems and culture at Japan's pioneering alternative space, across the 1980s and 1990s

Kingston University, London

2018 -  

 

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Renee Landell

“We Run Tings, Tings Nuh Run We”: Rewriting Caribbean Bodies and the Environment in Anglophone Caribbean Literature, 1970-

Royal Holloway, University of London

2018 -  

 

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Chloe Lee

Making Young Historians through Drama

Royal Holloway, University of London

2018 -  

 

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Joseph Long

Tropical Modernism: The First Biennial de São Paulo 1951

University of Brighton

2018 -  

 

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Louis Matheou

Critical Freedom: Between Lacan and Deleuze and Guattari

Royal Holloway, University of London

2018 -  

 

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Aine McKenny

The Women of the Troubles: Presence and Absence in Public Memory

University of Brighton

2018 -  

 

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Liz K Miller

Sylvan Sounds: Exploring the Acoustic Forest through Visual Fine Art

Royal College of Art, London

2018 -  

 

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Sophie Monk

Rioting and Reproduction: Theorizing and Historicizing British Queer Liberation in the 1960s and ‘70s.

University of Brighton

2018 -  

 

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D Mortimer

Representing Queer Adolescence: A Critical and Creative Investigation.

University of Roehampton, London

2018 -  

 

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Otto Mponda

An Interdisciplinary Analysis of the lifeworld changes experienced by people whose HIV narratives are published on the Terrence Higgins Trust website

University of Roehampton, London

2018 -  

 

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Ellie Mumford

Non-binary Performances: The relationship between fashion, identity and the body in individuals with non-binary gender identities

Kingston University, London

2018 -  

 

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Tess Pinto

Heritage and Conservation in the work of the Greater London Council: Reimagining London 1965-86

Royal Holloway, University of London

2018 -  

 

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Nat Reeve

Past and Pre-Raphaelite Present: Elizabeth Siddal’s Retellings of Inherited Stories

Royal Holloway, University of London

2018 -  

 

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Josie Richardson

Cross-Community Oral History, Post-Conflict Geography and Conflict Resolution at West Belfast

University of Brighton

2018 -  

 

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Morteza Samanpour

Marx’s Critique of Political Economy as a Social Ontology: Totality, Alienation and History

Kingston University, London

2018 -  

 

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Charlotte Samuels

Denise Wren and the Knox Guild of Design and Craft: Shifting the story of interwar studio ceramics from pot to process

Kingston University, London

2018 -  

 

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Louise Sands

Social Science Fiction the Alternative Reality

Kingston University, London

2018 -  

 

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Enaiê Mairê Schlögel de Azambuja

The Anthrodecentric Lyric: Zen Buddhism and Eco-Ontology in 20th century American Verse

University of Surrey

2018 -  

 

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Jonas Schnor

Performative Imperceptibility - Deleuze, Dramaturgy, and Performance Philosophy

University of Surrey

2018 -  

 

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Jenny Swingler

Writing for performance as an ecological practice in a postmedial age.

University of Roehampton, London

2018 -  

 

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Ana Tam

Applying Graph Theory to Conservation Documentation

University of the Arts, London

2018 -  

 

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Syma Tariq

Listening across history: Partition, coloniality and the oral archive

University of the Arts, London

2018 -  

 

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Vanessa Tautter

Exclusive and Excluding Perspectives on the Past: Narratives of Victimisation among the Contemporary Right in Austria and Northern Ireland

University of Brighton

2018 -  

 

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Terence Thomson

Kant’s Opus Postumum: Collapse, Caloric and Transcendental Distortion

Kingston University, London

2018 -  

 

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Jesssica Thorne

Laboratories of Dissent: A cartography of anarchist resistance to Franco in prison and in exile, 1960-1975.

Royal Holloway, University of London

2018 -  

 

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Claudia Treacher

Radical Art during WWII: Conscientious Objection and Utopianism in the work of Don Treacher

University of Brighton

2018 -  

 

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Abi Weaver

THE PNEUMATIC ACT: A STUDY OF VOCAL EXPRESSION IN DOCUMENTARY FILM

University of Surrey

2018 -  

 

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Garth Wenman-James

‘Poverty Porn’ in Nineteenth-Century Fiction: Spectacle, Space, Surveillance and the Victorian Imagination

University of Surrey

2018 -  

 

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Siegmar Zacharias

Posthuman Poetics as Ethics

University of Roehampton, London

2018 -  

 

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Amina Abbas-Nazari

Artificial Intelligence and Voice

Royal College of Art, London

2018 -  

 

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Angus Main

Design Approaches to Creativity Support with Imbedded Artificial Intelligence (AIY) Kits.

University of the Arts, London

2018 -  

 

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Waltteri Nybom

Persons, people and personalisation: understanding subjectivity through AI

University of the Arts, London

2018 -  

 

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Despina Papadopoulas

Embodied AI and Distributed Intelligence: Being Human in the Age of Accelerated Innovation

Royal College of Art, London

2018 -  

 

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Ben Wilkins

Companion players for immersive computer games: How to learn behavioural responses from visual effects

Royal Holloway, University of London

2018 -