Neuro-Gothic: a new history of madness
Writing a lens: how might the formal structures of the film archive be subverted through fictioning within artist moving image?
Africandescence: How does a Sankofa aesthetic function in a British black female reading of avant-garde films?
Revolting Reflections: Representations of Eating Disorders and Female Thinness in Twentieth Century Women’s Writing
Cool Sex (Sexe Cool); a practice-based investigation of autobiography and technology, through a century of feminist literature.
Musical Texture: A Historical and Analytical Approach in Relation to Music by Alban Berg and Igor Stravinsky
Hearing Plurality in Scripture: Using Sound Art Practice to draw out pluralities implicit in the ritual public reading of Christian Scripture
"Using reflective sociocultural e‐portfolios in a non‐immersion language learning context:
Spectacles against The Spectacle: Is a new politics of paradox emerging in British experimental theatre of the 2010’s?
Art fairs and power: an investigation into the post-war history of art fairs from radical beginnings to consolidations of globalised power
Feminine Singular: Post-Feminist Re-viewings of the Nouvelle Vague through Paule Delsol’s Lost Work
Practice, an Exercise in Living
Italian Blackness: Decolonising the former Museum of the Colonies
Wearing the City: Fashion and clothing in the curation of urban history.
Shakespeare’s ‘Oriental’ Objects: Race and Material Culture in Early Modern Drama
Ancient Language, Landscape and Hybridity in Experimental Poetic Practice
Exhibition design as an interdisciplinary practice for research and contamination: The context of Italian designers, 1960-1980
Caring and Sharing: Rethinking Community Dance as a Curatorial Practice
Writing the mind, re-writing tragedy: how memory shapes our ends
Speaking With: New forms of notation for scoring excess
Moving bodies: Exploring Empathy, Affect, and the Kinaesthesia in the Corporeal Surface
Improvising Moll - staging dialogues between queer pasts and presents
Choreographic Strategies in Moving Image Practice. Task-based improvisation and Somatic Inquiry
A Typology for Kypchak Auxiliary and other Multi-Verb Constructions
Les Ballets 1933: collecting, exhibiting and performing the avant-garde
What does it mean to have a musician’s ear? Listening to musicians
Measurement, invariance and representation in Cavaillès, Desanti and Vuillemin
POOL Group and the Modernist Ciné-novel
Queering Aphra Behn
Sagacho Exhibit Space: analysing innovations in art, systems and culture at Japan's pioneering alternative space, across the 1980s and 1990s
“We Run Tings, Tings Nuh Run We”: Rewriting Caribbean Bodies and the Environment in Anglophone Caribbean Literature, 1970-
Making Young Historians through Drama
Tropical Modernism: The First Biennial de São Paulo 1951
Critical Freedom: Between Lacan and Deleuze and Guattari
The Women of the Troubles: Presence and Absence in Public Memory
Sylvan Sounds: Exploring the Acoustic Forest through Visual Fine Art
Rioting and Reproduction: Theorizing and Historicizing British Queer Liberation in the 1960s and ‘70s.
Representing Queer Adolescence: A Critical and Creative Investigation.
An Interdisciplinary Analysis of the lifeworld changes experienced by people whose HIV narratives are published on the Terrence Higgins Trust website
Non-binary Performances: The relationship between fashion, identity and the body in individuals with non-binary gender identities
Heritage and Conservation in the work of the Greater London Council: Reimagining London 1965-86
Past and Pre-Raphaelite Present: Elizabeth Siddal’s Retellings of Inherited Stories
Cross-Community Oral History, Post-Conflict Geography and Conflict Resolution at West Belfast
Marx’s Critique of Political Economy as a Social Ontology: Totality, Alienation and History
Denise Wren and the Knox Guild of Design and Craft: Shifting the story of interwar studio ceramics from pot to process
Social Science Fiction the Alternative Reality
The Anthrodecentric Lyric: Zen Buddhism and Eco-Ontology in 20th century American Verse
Performative Imperceptibility - Deleuze, Dramaturgy, and Performance Philosophy
Writing for performance as an ecological practice in a postmedial age.
Applying Graph Theory to Conservation Documentation
Listening across history: Partition, coloniality and the oral archive
Exclusive and Excluding Perspectives on the Past: Narratives of Victimisation among the Contemporary Right in Austria and Northern Ireland
Kant’s Opus Postumum: Collapse, Caloric and Transcendental Distortion
Laboratories of Dissent: A cartography of anarchist resistance to Franco in prison and in exile, 1960-1975.
Radical Art during WWII: Conscientious Objection and Utopianism in the work of Don Treacher
THE PNEUMATIC ACT: A STUDY OF VOCAL EXPRESSION IN DOCUMENTARY FILM
‘Poverty Porn’ in Nineteenth-Century Fiction: Spectacle, Space, Surveillance and the Victorian Imagination
Posthuman Poetics as Ethics
Artificial Intelligence and Voice
Design Approaches to Creativity Support with Imbedded Artificial Intelligence (AIY) Kits.
Persons, people and personalisation: understanding subjectivity through AI
Embodied AI and Distributed Intelligence: Being Human in the Age of Accelerated Innovation
Companion players for immersive computer games: How to learn behavioural responses from visual effects