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TECHNE Students 2015-16


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Jennifer Allan

Fog Tropes: The social and cultural history of the foghorn 1853 to the present day

University of the Arts, London

2015 -  

 

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Jeremiah Ambrose

Using non-haptic interaction and virtual reality immersion to explore the generative potential of interactive film.

University of Brighton College of Arts and Humanities

2015 -  

 

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Megan Archer

A critical history of logistics: digitised life as a logistical operation

University of Brighton College of Arts and Humanities

2015 -  

 

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Andrew Bevan

Affect and emotion in philosophy and neuroscience: identity or difference?

Kingston University, London

2015 -  

 

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Kevin Biderman

Visual surveillance in the City of London (1994- present day). Discipline, control and the materiality of digital visual media

Royal College of Art, London

2015 -  

 

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Benjamin Bland

A fascination with Fascism: visions of the far right in 1970s/80s underground British culture, c. 1976-1989

Royal Holloway, University of London

2015 -  

 

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Steve Gamble

Understanding power in post-millennial rap and metal

Kingston University, London

2015 -  

 

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Miranda Garrett

Professional Women Interior Decorators, 1874 to 1900

University of the Arts, London

2015 -  

 

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James Gatheral

International Bohemia

University of Brighton College of Arts and Humanities

2015 -  

 

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Frances Casey

Gendered identities and the role of needlecrafts in Britain on the home front during and after the First World War, 1914-1925

University of Brighton College of Arts and Humanities

2015 -  

 

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Alice Colquhoun

Diffracting the doldrums: performing feminist new materialisms in the everyday

University of Roehampton, London

2015 -  

 

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Samuel Cutting

Complex machines: representations of technology in early twenty-first century fiction

University of Brighton College of Arts and Humanities

2015 -  

 

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Isabel Dahms

Zeitdiagnose - contemporary gendered readings of Hegel

Kingston University, London

2015 -  

 

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Jean-Baptiste De Vaulx

World Cinema and the Asian New Waves of the 1980s

Royal Holloway, University of London

2015 -  

 

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Zosia Edwards

The medieval pregnancy test: determining pregnancy and predicting the child's sex in later medieval Europe

Royal Holloway, University of London

2015 -  

 

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Alessandro Esculapio

Fashioning Mnemosyne: Garments as Agents of Memory

University of Brighton College of Arts and Humanities

2015 -  

 

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Emily Fisher

Gothic Faultlines: Multimodal American Literature and the Collective Reading Enterprise

University of Surrey

2015 -2019  

 

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Kadija George

Raising the voice and visibility of independent Black publishers

University of Brighton College of Arts and Humanities

2015 -  

 

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Eve Grubin

Boat of Letters: Exploring the Poetics of Reticence

Kingston University, London

2015 -  

 

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Emily Harding

Thinking as music, and thinking as dancing: the emergence of novelty in eternal return.

Royal Holloway, University of London

2015 -  

 

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Jack Harrison

Music and the Chinese Martial Arts

Royal Holloway, University of London

2015 -  

 

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Sarah Kelly

A Persistent Page: Exploring the relationship between page and text in artistic-poetic practice.

Royal College of Art, London

2015 -  

 

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Bethany Lamont

Transferring trauma: understanding distressing images and ghoulish spectres in the Internet culture

University of the Arts, London

2015 -  

 

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Jo Langton

Electric Storm: Inventions, Systems and Techniques in Electronic Composition (1950-80s)

University of Surrey

2015 -  

 

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Henrietta Lebeter

Everyday Trauma and Late-Capitalist Symptoms: 'Lost Footage' in Late Twentieth-Century French Fiction

Royal Holloway, University of London

2015 -  

 

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Bill Leslie

What is it if not right here? Questioning the sculptural object's constitution in representational media.

Kingston University, London

2015 -  

 

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Christina Mamakos

A Sense of Meaning: Applications of Embodied Cognition to Art Models

Royal College of Art, London

2015 -  

 

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Rachel Lee Marsh

The making of a satire: implications of ancient philosophies in contemporary fiction

University of Surrey

2015 -  

 

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Aurelie Martin

Navigating through bindings: Study of the bookbindings of ship's logbooks from maritime empires in early modern Europe

University of the Arts, London

2015 -  

 

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Freddie Mason

Textures of Fixation: The Viscous Substance in European Culture since 1850

Royal College of Art, London

2015 -  

 

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Sam Matthews

Schema and Image: On the Need for a Hermeneutic Approach to Perceptual Experience

Royal Holloway, University of London

2015 -  

 

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Gillian McIver

Between realism and the sublime: History in Cinema and Painting

University of Roehampton, London

2015 -  

 

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Lucy Mercer

An Ecological Poetics : Changing Symbols of the Natural World in Literature

Royal Holloway, University of London

2015 -  

 

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John Millar

To the Death? A Re-examination of the Stakes of Encounters Between Philosophy and Literature Since 1945

Kingston University, London

2015 -  

 

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Neville Mogford

Marking Time: Chronometry, Chronology and Literary Culture in Anglo-Saxon England.

Royal Holloway, University of London

2015 -  

 

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Zoe Moores

Subtitling live events through respeaking - increasing accessibility for all

University of Roehampton, London

2015 -  

 

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Jonathan Moses

Architectural geographies of the British public house for 1979 to the present day

Royal Holloway, University of London

2015 -  

 

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Lucy Kate Newby

Troubled generations? : An oral history of youth experience of the conflict in Belfast, 1969-1998

2015 -  

 

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Laura Oldfield Ford

Threshold Cartographies- the Poetics of Contested Space

Royal College of Art, London

2015 -  

 

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Siobhan O'Neil

Performing Heritage: Contemporary Community Engagements in the Heritage Realm

Royal Holloway, University of London

2015 -  

 

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Giacinto Palmieri

Oral self-translation of stand-up comedy: from mental text to performance and interaction

University of Surrey

2015 -  

 

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David Panos

Vogue as Historical Code – Using moving image to explore how 20th Century history is materialised through fashion

Kingston University, London

2015 -  

 

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Matt Parker

Close to the Machine: Composing Digital Materiality through a Sonic Archive Practice

University of the Arts, London

2015 -  

 

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Francesca Peschier

Theatre Design in Regional Theatre: Realising the Visual at The Liverpool Everyman and Playhouse 2003 – 2015

University of the Arts, London

2015 -  

 

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Rujana Rebernjak

“Building a Nation: Consumer Culture and Design in SFR Yugoslavia in the 1970s”

Royal College of Art, London

2015 -  

 

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Judith Rifeser

Through the Dark Lens the Body Touches You: Irigary and Haptic in the work of contemporary female filmmakers

University of Roehampton, London

2015 -  

 

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Bridget Smith

Realising the unreal - Swedenborg, photography and vision(s)

Royal College of Art, London

2015 -  

 

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Eleanor Suess

Constructing the architectural moving drawing: transdisciplinary practices between architecture and artists’ film

University of the Arts, London

2015 -  

 

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James Telford

The Creation of Resistant Environments for Real-Time Improvisation with Electronics as a Compositional Strategy.

Royal Holloway, University of London

2015 -  

 

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Rosalind White

Masculinity under the Microscope: Nineteenth-Century Naturalism’s Feminine Frame

Royal Holloway, University of London

2015 -  

 

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Charlotte Young

'The gentry are sequestred all': An investigation into the implementation, impact and ramifications of sequestration during the Civil War, Interregnum and Commonwealth periods, c1645-1660.

Royal Holloway, University of London

2015 -  

 

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Reynaldo Young

Noise of the Oppressed

University of Roehampton, London

2015 -  

 

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Andrea Garcia Gonzalez

Reconciliation in the Basque Country: Examining the impact of gender dynamics in a post-conflict society

University of Brighton College of Arts and Humanities

2015 -