A practice-based and written analysis, this artist-filmmaking research project engages with and questions the existing language, grammar and truth-making of archival films. The research proposes that editorial grammar or meter – with its definitive or categorical status - can be scrutinised and reworked, introducing broader, contemporary perspectives whilst revealing embedded, propogandised agendas.
The aim of my research is to ‘unlock’ voices, bringing out implicit pluralities implicit in the ritual public reading of Christian Scripture, while disrupting the single authoritative voice that conventionally builds its main tone. The project will contribute towards a religious and a sound practice, by bringing together theory and practice in a reciprocal exploration.
This study will use a phenomenological approach to understand if HIV narratives published on the Terrance Higgins Trust website can be used to understand what it is like to live with HIV. The concept of ‘lifeworld’ will be used together with close linguistic analysis to gain an in-depth understanding of people’s experiences of living with HIV. A person’s lifeworld is their subjective construction of reality, which he or she forms under the condition of his or her life circumstances.