How can Independent Black Publishing make a positive impact within the creative industry? This project will examine the history of small and Independent Black Publishers in Britain, starting with the first issue of RACE, published in 1960 by the Institute of Race Relations and concluding in the 1990s.
I propose to research and reveal the relationship between the technological inventions and musical creativity of a selection of electronic composers in the period 1950s-80s. These composers (who include Daphne Oram, Theresa Rampazzi, Beatriz Ferreyra and Laurie Spiegel) are of particular research interest as they all combined technological invention with music composition (what may now be referred to as ‘electronicist’) and their contributions are under-represented in the field.
The proposed doctoral project seeks to investigate the ways in which those who experienced childhood and adolescence during the Northern Irish ‘Troubles’ 1969-1994, have subsequently reflected upon and made sense of their own experiences of living within its disrupted environment.