A practice-based and written analysis, this artist-filmmaking research project engages with and questions the existing language, grammar and truth-making of archival films. The research proposes that editorial grammar or meter – with its definitive or categorical status - can be scrutinised and reworked, introducing broader, contemporary perspectives whilst revealing embedded, propogandised agendas.
The aim of my artistic research is to identify how technology has changed feminism over the last one hundred years, in particular the impact it has had on women’s relationships to one another and the formsin which knowledge is shared. The spine of this enquiry - in which I situate my practice-based research - is Virginia Woolf’s ‘A Room of One’s Own’, a book published nearly one hundred years ago in 1929.
Contemporary right-wing organisations appropriate history in exclusive ways: They build upon narratives related to national histories and forge visions of the past that highlight the unique role of their group as the vanguard of society. My PhD project will study these processes of reframing narratives about the past in contemporary society using a comparative approach and narrative examples from Austria and Northern Ireland.