My project investigates the nature devotions of early medieval saints in Britain. The intention is to illuminate the process by which the landscape was converted from pagan to Christian significance, reshaped through narratives laid down by pioneering missionaries and to categorise the nature rituals recorded in the lives of saints.
I propose to research and reveal the relationship between the technological inventions and musical creativity of a selection of electronic composers in the period 1950s-80s. These composers (who include Daphne Oram, Theresa Rampazzi, Beatriz Ferreyra and Laurie Spiegel) are of particular research interest as they all combined technological invention with music composition (what may now be referred to as ‘electronicist’) and their contributions are under-represented in the field.
My research utilises scenography as a framework to consider theatre design at the Liverpool Everyman and Playhouse (amalgamated in 2000 as the Merseyside Theatres Trust) between 2003 and 2015, and its role in expressing the visual identity of those theatres and their city. This period covers a time of economic and socio-political change for Liverpool, catalysed by its successful European Capital of Culture bid in 2003 (coming to fruition in 2008).